Enrique Chagoya is a Mexican-born American
painter, printmaker and educator. His prints, drawings, collages
and multiples offer critical commentary on the global reach of
the United States and its cultural, political and historical
tensions with Latin America.
Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Threats to cultural heritage are on the rise globally, due to
factors ranging from war and intentional destruction to
unfettered development and climate change. International cultural
heritage institutions and their methods seem inadequate at best,
and abetting threats to culture at worst. Join two of the most
incisive voices in debates on cultural heritage today to explore
the stakes for the protection of cultural around the world.
Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Torkwase Dyson describes herself as a painter
working across multiple mediums to explore the continuity between
ecology, infrastructure, and architecture. She works in in
painting, drawing, and sculpture, and her abstract works examine
human geography and the history of Black spatial liberation
strategies, often grappling with the ways in which space is
perceived, imagined and negotiated particularly by black and
brown bodies.
Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Organized by the Maria Manetti Shrem Art Studio Program
and supported by the College of Letters and Science at UC Davis.
Co-sponsored by the Manetti Shrem Museum.
Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Marie Lorenz is a New York-based
printmaker, sculptor, and filmmaker. Her work is rooted in
the exploration and narrative of New York City’s waterfronts.
Combining psycho-geographic exploration with highly crafted,
material forms, Lorenz uses boats to create an uncertain space
and bring about a heightened awareness of place.
Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Byron Kim creates paintings that double as
portraits and landscape paintings, utilizing the languages of
formal abstraction, observational paintings, and conceptual art.
His well-known Synecdoche series (1991–present) is a
group portrait composed of hundreds of 10 x 8 in panels, each
painted to match the skin tone of a sitter.
Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Organized by the Maria Manetti Shrem Art Studio Program
and supported by the College of Letters and Science at UC Davis.
Co-sponsored by the Manetti Shrem Museum.
Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA