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Performance Studies Faculty

Overview

PERFORMANCE STUDIES FACULTY

April 15, 2019

Moradewun Adejunmobi
African: film/literature/ performance, postcolonial studies

Gina Bloom
Early modern English, gender/feminist theory, digital arts

L.M. Bogad
Performance Studies, Theatre & Dance, Performance Art/Activist

Stephanie Boluk
Videogames, electronic literature, alternative currencies, digital economies

Finn Brunton
History and theories of technology 

Ryan Lee Cartwright 
Disability studies, feminist & queer studies

Seeta Chaganti 
Poetic & visual representations of dance in the late Middle Ages; the modern construction of medieval studies

Mike Chin
Performance, ritual and performing objects in late antiquity; Premodern notions of gender, sexuality and the body

Lucy Corin
Creative writing (novel & short story); contemporary fiction

Beatriz Cortez
Contemporary art, performance and nonhuman agency, and the lives of objects.

Juan Diego Diaz  
Music and identity in the black Atlantic, Brazil & West Africa; Capoeira music & performance; phenomenology of the body

Jesse Drew 
Theory & practice of alternative & community media, on-line activism

Joseph Dumit
Graduate Group in Performance Studies, Science & Technology Studies, Anthropology, anatomies & bodyminds, drugs, medicine, improvisation

Natalia Duong

 

Tarek Elhaik 
Mexico and image-making processes/ writings of both curators and media artists

Kristopher Fallon, main advisor
Film and digital media, non-fiction visual culture

Ian Faloona,
Associate Professor of Land, Air and Water Resources

Jaimey Fisher 
German & Cinema; Cinema & Digital media studies, intellectual history

Cristiana Giordano,
Medical & psychological anthropology, psychoanalysis, ethno-psychiatry, human rights

Laura Grindstaff 
Cultural studies, popular culture, media, inequality theory: feminist theory, queer theory, social theory

Noah Guynn 
Medieval & early modern French literature, theater, & culture; Molière & the Theater of the Absurd

Ines Hernández-Avila 
Contemporary Native American literature & religious traditions, Chicana spiritualities

James Housefield 
History of modern & contemporary art & design. Museums, narrative environments & experience design. Book design after Mallarmé.

Hsuan Hsu
Sensory studies, atmospheric media, environmental humanities, American studies

Beenash Jafri, Assistant Professor of Gender, Sexuality, and Women’s Studies

Margaret Laurena Kemp
Research / performance practice exploring how science and systems of social engineering manipulate voice, breath, flesh, and the natural world 

Elisabeth Krimmer 
Gender & film studies, the history and representation of violence & warfare, German literature & culture

Michael Lazzara
Memory studies; human rights; contemporary Latin America.  Art, literature, film & performance/ collective trauma

Patrick Lemieux
Cinema and digital media, game design, media theory

Timothy Lenoir
Cinema and digital Media, history of biomedical science

Beth Levy 
Twentieth-century American composers and the mythology of the American West; eighteenth- and nineteenth-century aesthetics

Sheldon Lu 
World cinema, postsocialist cinema, transnational Chinese cinemas, Modern Chinese literature & visual culture

Marit Macarthur
Sound and voice studies, performance studies, poetry studies, digital humanities, interdisciplinary research and writing

Darrin Martin
Video and media Arts, accessibility, contemporary artist

Beth Rose Middleton
Native environmental policy & native activism for site protection

Colin Milburn  
Cultural relations between literature, science, & technology; science fiction; Gothic horror; the history of biology; the history of physics & posthumanism

Elizabeth Carolyn Miller 
Nineteenth- and early-twentieth-century British literature, culture, and politics; gender studies; film and visuality

Fiamma Montezemolo
Cinema & digital media, cultural anthropology, contemporary artist

Michael Neff 
Computing science & the arts, culture & the environment; tools for character animation, non-verbal communication & biomechanics

Branwen Okpako
Cinema & digital media, filmmaking, documentary

Annabeth Rosen 
Ceramic sculpture, intellectual history, performance modes and performance art.

Jon D. Rossini, interim chair
Theatre & dance history, performance studies, writing

Simon Sadler 
Modern architecture and urbanism, modernism, guerilla architecture, concepts of the avant-garde

Laurie San Martin 
Music composition, theory, analysis and performance. Intersections of contemporary classical music with theater, art, poetry

Brett Snyder 
Intersection of architecture and media. Ways that participatory design can enhance our relationship to the environment.

Smriti Srinivas
Somatic & sensory reform as crucial practices for the creation of new cultural subjects, institutions, and forms of urban modernity 

Katlin Marisol Sweeney
Latinx studies, social media studies, narrative media, and comics studies 

Hulleah J. Tsinhnahjinnie [Taskigi / Dine’] 
Visual sovereignty, photography, video, multimedia installations and traditional Native American techniques

Anna Uhlig                                                                       
Performance and poetics in the Greek Mediterranean 

Rachana Vajjhala

Archana Venkatesan
Hinduism, performing arts in Southeast Asia, comparative literature

Heghnar Watenpaugh 
Early modern & modern Islamic art & architectural history, urban history, theory of architectural preservation

Frank Wilderson, III (retired)
African American Studies and Drama, Film theory, Marxism, Black Political Theory, Dramaturgy, and Cultural Studies (UC Irvine)

Julie Wyman 
Performance, documentary practice, critical reflection: codes, conditions & visceral experiences of physicality that defy expectation

Ruben Zecena

EMERITI/EMERITAE

Susan Avila 
Surface design, textile art, textile design, fashion design, history of fashion

Liz Constable
Transcolonial and transnational studies; feminist and queer literary, cultural, and film theories

Maxine Craig
Feminist Theory, ethnic & racial History, embodied practices

Elizabeth Freeman (in memorium)
English, American literature and gender/sexuality/queer studies

David Grenke 
Embodied knowledge, performance and performativity in dance and choreography

Lynette Hunter,
Performance Studies
History of rhetoric and performance, embodied practices

Susan Kaiser
Social psychology of clothing; fashion & feminist theory; dress & the African diaspora network; sustainable fashion systems

Peter Lichtenfels
Directing, acting, performance studies

Adrienne Martín (Spanish)
Early modern Spanish literature and drama: drama as textual, cultural and performative practice; theatrical spaces and playhouses; Golden Age comedia studies; history of Spanish theater; transatlantic drama

Zoila S. Mendoza 
Sociocultural anthropology, ethnomusicology, performance and dance studies

Bob Ostertag 
Composer, performer, instrument builder, journalist, activist, historian, kayak instructor; unorthodox digital sampling and multimedia performance

Halifu Osumare (Emerita, African American and African Studies)
African Americans Studies, African American performance and resistance, complicity, and play; structures of power; global popular culture’s centralization of African-derived performance aesthetics in the era of postcolonialism; interplay of African American vernacular and concert dance forms in the fusion styles of contemporary black choreographers; hip hop youth culture.
Graduate Students: Ayo Walker

Lynn Roller (Art History and Classics)
Ancient Mediterranean art; Greek theater; Greek and Roman cult practice; religious ritual as performance

Eric Smoodin 
American and French film history from 1895 to 1960: film industry, film audiences, film studies as an academic discipline

Henry Spiller
Ethnomusicology, Sudanese music and dance

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Faculty Profile

L. M. Bogad
Professor of Cinema and Digital Media

January 25, 2013 Performance Studies

L. M. Bogad is a Guggenheim Fellow, author, performance artist/activist, educator, Director of the Center for Tactical Performance, and co-founder of the Clown Army. He has performed across the United States, Europe, and South America, from SF MOMA, the Whitney Museum, Yerba Buena Arts Center, and the Mattress Factory to occupied zones and a squatted military base in Barcelona. He has led Tactical Performance workshops around the world, including in Cairo during the first month of the Egyptian Revolution.

530-754-2622
Nelson Hall
Preferred Pronouns: He/Him/His
lbogad[remove-this-and-replace-with-at]ucdavis.edu
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  • Larry Bogad's Website

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