Agnese Pavanello studied musicology at the
Universities of Pavia, Regensburg, Freiburg im Br., and Basel,
and at the University of Fribourg, where she was awarded a Ph.D.
in musicology. After working as a musicological assistant at the
Universities of Salzburg and Vienna (Universität für Musik und
Darstellende Kunst) and publishing articles, editions of
instrumental music (Corelli, Tartini, Locatelli, Bonporti) and a
book about Roman “concerti grossi,” she has been a member of
staff for the Gaspar van Weerbeke Edition and editor of
Gaspar van Weerbeke’s masses and motets. Since 2012, she has been
working in the Research Department of the Schola Cantorum
Basiliensis in Basel (Musik-Akademie Basel / Fachhochschule
Nordwestschweiz) with teaching and research assignments.
Originally from Colombia, Juan David Rubio
Restrepo’s research interests include theories
of the human; decolonial theory; media studies; cultural and
ethnic studies; critical theory; studies of music and sound;
ethnomusicology; and Latin American, Chicanx, Caribbean and
African-American thought.
