Among our graduate degree recipients before 2004 are the
composers Eric Sawyer, Martha Horst, and Anne Guzzo; and
musicologists Donna M. DiGrazia, Carol Hess, Don Meyer, John
Palmer, Matthew Daines, Suzanne Jubenville, Mark Brill, and Paul
Christiansen.
Phil Acimovic is a composer and gamelan musician in Easthampton,
MA. He writes quiet, austere music for solo and chamber
ensembles. In 2018 he served as Artist-In-Residence at the Cold
Hollow Sculpture Park in VT. Acimovic’s music taps into abstract
emotional states, the quiet corners of the mind that are
obstructed in our hyperactive world. His most recent project is a
set of solo instrumental works inspired by abstract visual
artists and complementing the disquietude of the Covid pandemic.
His works have been performed by the Left Coast Chamber Ensemble,
the Empyrean Ensemble, the St.
Hendel Almétus received a Ph.D. in composition from UC Davis in
2012. He was born in Haiti where he began his musical training at
the age of 12. He earned a bachelor’s in music composition from
the Houston Baptist University and a master’s in composition
from the Eastman School of Music.
Ph.D. in composition and theory from UC Davis Bachelor's in Music from the Juilliard School
Chris Castro is a composer and double bassist from Brooklyn, New
York. His music has been described as “on par with Varèse,”
giving him the nickname “The New Colossus of Sound.” He is a
recipient of Chamber Music America’s 2021 Classical Commissioning
Award. His new work, Canções dos Desassossego (Songs of
Disquiet), will be written for the Lyris Quartet and soprano
Sharon Harms and premiered in 2023. His music has been performed
by Sharon Harms and the Composers Conference Ensemble under James
Baker (Two Songs from Brooklyn Narcissus), the St. Louis Symphony
under David Robertson (Choruses III), pianists Sarah Cahill and
Eric Zivian (IV-I), piano duo HereNowHear (Beethausenstro -
Castockhoven) and the Lydian String Quartet (Choruses IV). He is
the 2022 Guest Composer for the James Tenney Memorial Symposium,
composing and collaborating with the New Mexico Contemporary
Ensemble. He currently lectures at UC Davis and Sacramento State
University. He has a Ph.D. in composition and theory from UC
Davis and a bachelor’s in music from the Juilliard School in both
double bass and composition.
Josiah Tayag Catalan is a Filipino-American born
in New York City and raised in the San Francisco Bay Area. He
holds a degree from the Sacramento State School of Music
where he studied composition with Stephen Blumberg and
Leo Eylar and violin with Anna Presler and Ian Swensen.
During his studies at the Sacramento State School of Music,
he was chosen to represent the music department for the
annual One World Initiative campaign to raise awareness
around current global issues.
Composer and Chinese flutist Yu-Hsin Chang is an adjunct
assistant professor at the Taiwan National University of the
Arts, Taiwan. She received her Ph.D. in Composition from UC
Davis. She received her previous degrees (MFA, BFA) from
Taiwan. Her works include solo, chamber, and orchestral
pieces for both Western and Chinese music instruments, and have
been performed by soprano Tony Arnold, the Empyrean Ensemble, the
Daedalus Quartet, the Nouvel Ensemble Moderne, the Chai Found
Music Workshop, and the Little Giant Chinese Chamber Orchestra.
Gabriel José Bolaños (b. 1984 Bogotá, Colombia)
is a Nicaraguan-American composer of solo, chamber, orchestral
and electronic music. He holds a PhD in composition from UC Davis
and a BA from Columbia University. He is currently an Assistant
Professor at the Herberger Institute for Design and the
Arts, School of Music, Dance and Theater at Arizona State.
Luis Chavez graduated with a Ph.D. in Ethnomusicology in 2018
from UC Davis. He holds the bachelor’s and master’s degrees
in music from California State University, East Bay.
He currently lectures at Sacramento State University.
An alumnus of the Juilliard School, William David Cooper has
enjoyed a diverse career as composer, conductor, and
keyboardist.His music has been championed by Augustin Hadelich,
the Juilliard Orchestra, Trio 180, the JACK Quartet, and the
Lysander Trio, and has been performed at the Radio France
Festival and the Wellesley Composers Conference. He has
recently been commissioned by Soli Deo Gloria, and is currently
writing Hagar and Ishmael, a two-act opera, that will
premiere with members of the Indianapolis Symphony
Orchestra. In addition to positions on faculty at Purdue
David Dennen received a PhD in ethnomusicology from the
University of California, Davis and a BA from Evergreen State
College. He currently teaches at Chihlee University of Technology
in Taiwan. His dissertation research was on the music and poetry
of Odisha, India. His current research is on the history and
ideas of American pragmatism and behaviorism.
Anthony (Tony) Dumas is a Visiting Assistant Professor at the
State University of New York, The College at Brockport where he
teaches courses in both the Department of Theatre and Music
Studies and the Delta College Program. Previously, Dr. Dumas has
taught at UC Davis, Woodland Community College, St. Lawrence
University, and SUNY Potsdam.
Born and raised in central Illinois, Daniel
Godsil (b. 1982) is a composer of chamber, orchestral,
vocal, electronic, and film music, currently pursuing his
PhD in composition and theory at the University of
California, Davis. He holds an MFA in music composition from the
Vermont College of Fine Arts, where he studied with John Fitz
Rogers, John Mallia, and Jonathan Bailey Holland.
Andressa Gonçalves Vidigal is a Ph.D. student in musicology at
the University of California, Davis. She is Brazilian and grew up
in the city of Maringá, Paraná. She holds a bachelor’s degree in
music from Universidade Estadual de Maringá and a
master’sfrom University of California, Davis. Her
current studies are funded by the Brazilian agency CAPES
(Coordination for the Improvement of Higher Education Personnel);
from whom she received the esteemed Doutorado Pleno (Full
Doctoral) Scholarship.
Carol A. Hess has published books and articles on the music of
Spain and the Americas. Her work has been funded by the National
Endowment for the Humanities, the Spanish Ministry of Culture,
and the New York Public Library, among other entities. She
received the Society for American Music’s Irving Lowens Article
Award, and her book Manuel de Falla and Modernism in Spain,
1898–1936 (University of Chicago Press, 2001) won the
ASCAP-Deems Taylor Award and the American Musicological Society’s
Robert M. Stevenson Prize for Outstanding Scholarship in Iberian
Music, in addition to other prizes.
Ben Irwin holds master’s degrees in composition and clarinet
performance from the University of Wisconsin at Madison and a
bachelor’s degree in music from Carleton College in Northfield,
Minnesota.
Gillian Irwin has been a student of ethnomusicology at UC Davis
since Fall 2014. Before coming to Davis, she studied music and
English at Muhlenberg College (Allentown, PA) and served as a
Fulbright English Teaching Assistant in Yogyakarta, Indonesia. At
Davis, Gillian specializes in Indonesian music with interests in
educational and cultural policy, national identity formation, and
the relationship of the region to the nation of Indonesia.
Sarah Lappas received her Ph.D. in 2013 in Ethnomusicology with
research interests in African American and African popular music,
music and violence, multispatial criminalization, indexicality,
and musico-racial signification.
