Titles and contact information are displayed below. Click on a
section heading or use tabs at left to see all listings for that
section. Click on individual names to see complete biographies.
Professor L.M. Bogad has been awarded a grant from the Creative Work Fund. The
grants are given to Greater Bay Area artists collaborating with
nonprofit organizations to develop new works of theater,
traditional art, dance, poetry, arts activism and more.
M.F.A. Classical Theatre, The George Washington University at The Shakespeare TheatreB.S. Interdepartmental Studies, School of Speech, Northwestern University
Margaret Laurena Kemp has appeared on regional
and international stages including Arena Stage, Mark Taper Forum,
Yale Rep, South Coast Repertory, La Mama Theatre (Melbourne,
Australia), Theatre of Changes (Athens, Greece), Red Pear Theatre
(Antibes, France), and The Magnet Theatre (Cape Town, South
Africa).
L. M. Bogad is an author, performance artist/activist,
educator, Director of the Center for Tactical Performance,
and co-founder of the Clown Army. He has performed across the
United States, Europe, and South America, from SF MOMA, the
Whitney Museum, Yerba Buena Arts Center, and the Mattress Factory
to occupied zones and a squatted military base in Barcelona.
Mindy Cooper has had the privilege of spending
the last 40 years working as a dancer, choreographer, director,
producer and teacher. From dance companies (Twyla Tharp Dance,
Eliot Feld Ballet, Kansas City Ballet, Thingsezisee’m Dance
Theater) to Broadway/Off-Broadway
(Chicago, Titanic, Song and Dance, Beauty and the
Beast, Dracula The Musical, Being Seen, The Eternal Space,
Men Are From Mars, Women Are From Venus, Live!, 50 Shades – The
Musical Parody, Soul Doctor, Wrong Mountain), her passion
for new works has always steered her career.
Ph.D. Duke University, 1999B.A. University of Cincinnati, Phi Beta KappaPerformance Studies
Jon D. Rossini is Associate Professor in the Department of
Theatre and Dance at UC Davis where he teaches courses in Theatre
and Dance History, Ethnicity/Race in Performance, Performance
Writing, Playwriting, and Theories of Performance.
Alexander Boyd graduated from the University of California
at Davis Graduate Program in Performance Studies in June 2014.
His dissertation, “The Sustainability of Traditional Knowledge
Systems: Embodied Learning through Practice, Teaching and
Application,” draws on 20 years of professional practice and
teaching in Daoist Qigong arts (Daojiao Lishi Quanfa)
that he has studied since 1985 with his main teachers Chee Soo
(who passed in 1994) and Desmond Murray.
Ms. Cavanaugh has choreographed for Oregon Shakespeare Festival
(for five seasons as choreographer and actor), Berkeley Repertory
Theatre, The New Victory Theater, Yale Repertory Theatre,
Cincinnati Playhouse, Repertory Theatre of St. Louis, Brisbane
Arts Festival, La Mama E.T.C., Aurora Theatre Company,
Shakespeare Santa Cruz, Lincoln Center Directors Lab, San
Francisco Shakespeare Festival, TheatreWorks, Shakespeare at
Stinson, Mills College Rep, and Summerfest Dance and California
Shakespeare Theater (where she is an Associate Artist) for 17
seasons.
Stuart Carroll is the Artistic Director of the Sacramento-based
Capitol Ballet Company. He has presented The Nutcracker, Swan
Lake, Giselle, Paquita, La
Bayadère, and Don
Quixote to local audiences and the surrounding
communities with support and funding from the Sacramento
Metropolitan Arts Commission and the California Arts Council.
Michele Apriña Leavy is a professional actor and
theatre educator. Originally from Oakland, CA, she
has performed locally with such companies as the American
Conservatory Theater, Alameda Civic Ballet, Berkeley Repertory
Theatre, The Bay Area Playwrights’ Festival, BRAVA Theater
Center, California Shakespeare Theater, Center Repertory Company,
Livermore Shakespeare Festival, Marin Theatre Company, The San
Francisco Playhouse, and TheatreWorks Silicon Valley, among
others. In farther locales, she has appeared with Theatre
Key West
M.F.A., Technical Design and Production, Yale School of Drama
Steven Schmidt is a Davis native and the Technical Director for
California Shakespeare Theater where he oversees scenic
construction on productions for Cal Shakes, A.C.T., Magic
Theatre, Shotgun Players, and Berkeley Playhouse. Previously,
Steven worked as the Associate Head of Production for Yale
Repertory Theatre, and has consulted on productions for Oregon
Shakespeare Festival and Berkeley Repertory Theatre. Steven is a
co-author of Structural Design for the
Stage (2nd edition) and has presented on panels at the
United States Institute Theatre Technology.
All TAs and AIs teaching classes in the Department of Theatre &
Dance are listed here. Some are department MFA students (Dramatic
Arts), while others are Ph.D. students in Performance
Studies (an interdisciplinary Graduate Group). Visit
the Performance
Studies website for more information.
they/them/elleMFA Shakespeare & Performance, Mary Baldwin University (2017)MA Theater Arts, San Jose State University (2013)BA Theater Arts, University of California, Santa Cruz (2008)
Melinda is an educator, theater performer, and director
with an interest in performance history and dramaturgy, applied
rhetoric, languages/translation, and equitable and accessible
performance education practices.They are interested in further
exploring the practice and processes of creating shareable and
relatable performance languages to describe diverse cognitive
processes.
They/them/she/hersMFA in Ceramics from the University of Colorado Boulder
eM asks ceramic questions, observing their body in relation
to the world in which it can touch through performative
material explorations that index fingers and tongues – movements
and language. For example, a fingerprint is recorded in clay and
preserved for all time when it is fired. These observations
of the ceramic artist body in action and in dialogue with clay
material drive eM’s research on the liberatory potential of clay.
Joseph Fletcher has worked as a director, content creator, stage
manager, producer, and arts administrator for over fifteen years.
He has worked Off Broadway, regionally, and internationally. Past
companies include Cirque Du Sole, The Walnut Street Theatre,
the National Tour of Chicago the Musical, The Signature
Theatre, Target Margin, and Riverside Theatre. He is founding
member of Artists Laboratory Theatre and Breaker/Fixer
Productions. Joseph has trained with Sojourn Theatre and Double
Edge Theatre.
Karola Lüttringhaus was born and grew up in Berlin, Germany,
where she founded ALBAN ELVED DANCE COMPANY in 1997 to form an
outlet for her diverse artistic pursuits in dance, visual art,
film, scenic design and sound design. She has worked as a
freelance artist, choreographer and educator at theatres and
universities across Europe and the US. In 2007, she incubated the
SARUS FESTIVAL for Site-specific & Experimental Art in 2007 in
Wilmington, NC.
she / her / hersUniversidad Pedagogica Nacional, B.A., 2014
Regina María Gutiérrez Bermúdez is a doctoral student in
Performance Studies at the University of California, Davis. She
holds an MFA in Fine Arts with an emphasis in Directing and MA in
Performance Studies, degrees obtained at the same university.
Graduated in Dramatic Arts from the Universidad Pedagógica
Nacional (Colombia), she has a trajectory of more than 20 years
as an actress, performer, theater and dance educator, and is an
expert in movement, somatic, and energy work.
B.A. Theatre and Dance, James Madison University, 2006
Isa is a performing artist and somatic researcher who has
worked for over a decade with movement/dance modalities and
experimental theatre techniques that promote self reflection.
Through her developing methodology, Dialoguing the
Unconscious, and her Ph.D research, she is investigating the
question: How do we share/acknowledge knowledge that can’t (in a
“regular” way) be seen? She is deeply invested in pre-colonized
ways of knowing.
M.A., Devised Theatre, Dartington College of Arts, Falmouth University, EnglandB.A., Theatre, Barnard College, Columbia University, New York City
Sarah Ashford
Hart is a socially engaged performance practitioner,
scholar, and educator from a Canadian-Venezuelan-American family
background. Over the past twelve years she
has developed her arts practice in Russia, England,
Venezuela, Chile and the United States.
Deepa Mahadevan is a classical Indian dancer and the
Founder/Artistic Director of Tiruchitrambalam School of dance,
Union City,CA. She is interested in examining the role of gender,
caste, sex, class and religion in the form and content of the
dance form Bharatnatyam, a South Indian neoclassical dance
form. Her research interest proceeds to delve into the
transmission of this dance to second generation immigrant
students, especially in the context of the North American
Diaspora.
Eric’s artmaking, clinical work and academic research are
organized around the material aesthetics of psychoanalysis. He is
in private practice in Davis and San Francisco, and his project
is an aesthetic (mis)translation of developmental attachment
theory into a feminist materialist revision of the psychoanalytic
project.
Ekaterina Zharinova is a contemporary dance artist, curator, and
scholar from Yekaterinburg, Russia. From 2000 to 2005, Ekaterina
danced with the Provincial Dances Theatre in Yekaterinburg,
Russia, touring across the country and abroad. Since 2006, she
has been creating work independently and in collaborations to
present her choreography nationally and internationally.
Costume Design: Stage and ScreenM.F.A., Design, Yale School of Drama
Maggie Morgan is a costume designer for stage and screen. Her
recent work includes a Broadway musical, feature and short films,
and several productions at California theaters.
History of Rhetoric and PerformancePh.D. Adviser, Theatre and Dance
Lynette Hunter, Professor of the History of Rhetoric and
Performance, has written and edited over 30 books and many essays
in a range of disciplines from the history of rhetoric and
literature, to philosophy and feminist theory, to post /
neo-colonial / decolonical studies (especially in Canada), to the
history of science and computing, to women’s history and gender
studies (from the early modern period), to performance studies,
and alternative embodiments.
Bobbie Wynn Bolden, UC Davis Department of Theatre & Dance
professor and the godmother of the university’s dance program,
retired in 2003 after 18 years of teaching. She will always be
remembered for dancing to the beat of her own drummer.
William E. Kleb taught theatre history, critical theory and
playwriting in the Department of Theatre & Dance from 1974 to
1994, when he retired. During that time, he served on numerous
department and university administrative committees and chaired
the graduate program.
Barbara Sellers-Young taught movement, acting and Asian theatre
at the Department of Theatre & Dance from 1993 to 2008. She
served on various university committees at UC Davis, taught as a
member of the Davis Honors program and was Chair of Theatre &
Dance from summer 2001 through spring 2006. She also served as
Interim Executive Director of the Mondavi Center from April 2005
until June 2006.
Theatre Department Chair, 1956–1989Ph.D., Stanford University
Ted Shank was the Founding Chair of the Theatre Department at UC
Davis and taught in the department for 33 years, from 1956 to
1989. He then transferred to the UC San Diego Theatre Department
where his wife, UC Davis alumna Adele Edling Shank, was
Department Chair. Shank was promoted to Distinguished
Professor of Theatre and taught in the department until retiring.
The department of Theatre & Dance offers studies leading to the
Master of Fine Arts degree in Dramatic Art. See the Graduate Program section for detailed
information. Current MFA students are listed below.
Paris 8 University Vincennes-Saint-Denis, B.A. Performing Art – Theater
Teresa Salas (she/her) is a performance
practitioner, teacher and mother from Chile. She has worked in
physical theater, dance and movement-based performances since
2005. Teresa worked five years in Italy at Grotowski’s
Workcenter, training in voice, movement and directing,
culminating in the opus The Living Room. She is a member
of the dance company Danza CIEC in Chile, and has participated as
a performer and creator in various experimental pieces both in
Chile and Europe.
Edward Talston-Jackson is a dual native of Hamburg, Germany
and Las Vegas, Nevada. Having studied music and dance, Mr.
Jackson graduated with a BFA from the University of Nevada, Las
Vegas. After the University, he worked with various dance
companies as a soloist and guest artist. The latest of those
companies is the Paul Taylor Dance Company.
Joseph Fletcher has worked as a director, content creator, stage
manager, producer, and arts administrator for over fifteen years.
He has worked Off Broadway, regionally, and internationally. Past
companies include Cirque Du Sole, The Walnut Street Theatre,
the National Tour of Chicago the Musical, The Signature
Theatre, Target Margin, and Riverside Theatre. He is founding
member of Artists Laboratory Theatre and Breaker/Fixer
Productions. Joseph has trained with Sojourn Theatre and Double
Edge Theatre.
Alumni from the Theatre and Dance Department work all over the
world in film, television, theatre, industry, education, and arts
administration. Our alumni are very important to us, so keep in
touch! If your contact information changes, please send us an
update using our Alumni update form. We send our department
newsletter to all alumni each fall. Please let us know what you
are up to by June of each year so we can include your news.
Zoe Kemmerling is a public interest lawyer and violist based in
Oakland, CA. From 2008 to 2017, she pursued an eclectic musical
career as a violist, Baroque violinist, writer, and administrator
in Boston and throughout the northeast. She was active in the
early music scene in Boston and New York City, playing regularly
with ensembles including Grand Harmonie, Les Bostonades, and
Trinity Baroque Orchestra. With three colleagues, she founded the
period-instrument Emergence Quartet, which was featured on NPR’s
On Point with Tom Ashbrook and at the Lincoln Center Library.
Recently at the College of Southern Nevada he played Emil
in Jeffery Hatcher’s Three Viewings, Mike Talman in Wait Until
Dark and co-directed Reefer Madness. He just finished his fifth
year teaching theatre to high school and Complete Works of
William Shakespeare (Abridged) (herself) and Dracula (Mrs.
Westenra) at Acalanes High School.
A native of rural New England and graduate of Reed College in
Oregon, Darren Blaney is a teacher, essayist, playwright, solo
performer, actor, and director. He graduated with a PhD in
Dramatic Art with a graduate minor in Critical Theory from UC
Davis in 2009. His doctoral dissertation was
entitled: ”Staging the Social and Cruising the Crisis: A
Genealogy of Utopian Aspiration in U.S. Queer Theater from the
1960s to the Present.”
taught theatre at the International School of Brussels, Belgium
for the first six months after graduation, then took a
one-semester job teaching acting and improv at South Lake Tahoe
Community College. He landed a role in Foothill Theatre Company’s
two-person comedy A Tuna Christmas, moved to Los Angeles in fall
2000 and worked for the Sundance Institute’s Feature Film
Program. Although Sundance is best known for its Film Festival,
it is appreciated in the independent film community for its film
program.
lives in Kenwood, CA. She is a full-time faculty member in
Theatre Arts at Santa Rosa Junior College where she directed the
world premiere of Watermelon Nights, adapted from the Greg
Sarris’ novel. Leslie directed The Kitchen Side of the Door, Word
for Word Theatre Company’s holiday show at the Magic Theatre in
San Francisco. Leslie has also acted with the California
Shakespeare Festival, Marin Theatre Company, Intersection for the
Arts, TheatreWorks, Shakespeare at the Beach, and the Willows,
among others.
owns the American Blues Theatre, 2337 Pacific Avenue on the
Miracle Mile in Stockton, CA.. This spring Harvey plays George in
the American Blues Theatre Company’s production of Who’s Afraid
of Virginia Woolf.
Sue Murphy (BA 1979)
Now living in Los Angeles, was nominated for a 2001 American
Comedy Award for Best Female Standup. She has appeared on Late
Night with David Letterman, HBO, and many times on The Tonight
Show with Jay Leno. Catch her act in her own half-hour comedy
special on Comedy Central.
Robert Károly Sarlós was born into an assimilated Jewish
family (a shirt tailor/ haberdasher and a saleslady/housewife)
June 6, 1931, in Budapest, Hungary, and attended the city’s
renowned Lutheran High School (EvangÈlikus Gimn·zium). Admitted
in 1949 to a select class in stage direction at the Hungarian
Academy of Theatre and Film Arts, he was after one semester
expelled for “bourgeois” descent AND thinking. He became a
lathe-operator, served in the Hungarian (“Peoples”) Army, studied
theatre history, had a small part in the 1956 revolution and then
left his native land.
Former UC Davis professor of theatre and dance, costume design,
Phyllis J. Kress of Sacramento, California, passed away on
Sunday, July 10, 2016, at 77 years of age. Kress retired in 1998
after 32 years at UC Davis.
Alan A. Stambusky (1929 – 2011) became
chair of what was then called Dramatic Art and Speech (now
the Department of Theatre and Dance) in 1964.
He retired in 1991.
The following obituary was written in 2011 by Elin Diamond,
professor of English and director of the Graduate Program in
Comparative Literature at Rutgers University. Diamond, who
specializes in feminist criticism and dramatic theory, earned her
doctorate and master’s degree at UC Davis. See the New York Times
obituary
here.
Della Davidson was a vital creative force for the Department of
Theatre and Dance for over ten years and was a central figure in
the Bay Area dance world since the early 1980s. She has been
described as one of the West Coast’s most fluent writers for the
body, a dance maker of works that ruminate with poignancy and
beauty on topics ranging from a woman’s anger to disease, death
and the fragility of human existence. Her work echoed with
references to the United States tradition in modern dance, and
yet her dancers perform with a passionate abandonment of
commitment and rage.
Robin Gray, Production Stage Manager, has worked, locally, for
Music Circus, B Street Theater, Capital Stage and for the
Sacramento Theater Company. She worked on Hugh Jackman’s
pre-Broadway show at the Curran in San Francisco in 2012. She
last toured for Kansas City Starlight with Hello Dolly
starring Michele Lee. Regionally, she stage-managed Phantom
of the Opera in San Francisco. Before moving to Sacramento,
Ms.
Thomas J. Munn, an internationally recognized Lighting Designer,
has designed for theatre, opera, ballet, television, videos, and
industrials. A graduate of Boston University School of Fine and
Applied Arts in Design, he made his Broadway debut in 1974
designing scenery for Brightowerby Dore Schary.
