L. M. Bogad is an author, performance artist/activist,
educator, Director of the Center for Tactical Performance,
and co-founder of the Clown Army. He has performed across the
United States, Europe, and South America, from SF MOMA, the
Whitney Museum, Yerba Buena Arts Center, and the Mattress Factory
to occupied zones and a squatted military base in Barcelona.
Mindy Cooper has directed, choreographed, and performed on
Broadway and Off-Broadway in Chicago - The
Musical (original revival), Titanic (original
cast), Dracula – The Musical, 50 Shades – The Musical Parody,
Mars/Venus Live, The Eternal Space, Soul Doctor, Wrong Mountain,
Five Course Love, Disney’s Beauty and the Beast, Song &
Dance, and Tenderloin, as well as TV’s Law &
Order: Criminal Intent.
History of Rhetoric and PerformancePh.D. Adviser, Theatre and DanceMaster Adviser, Performance Studies Program
Lynette Hunter has written and edited over 30 books on a
wide range of subjects, as well as creating and touring
performance installations in the U.S. and abroad.
M.F.A. Classical Theatre, The George Washington University at The Shakespeare TheatreB.S. Interdepartmental Studies, School of Speech, Northwestern University
Margaret Laurena Kemp has appeared on regional
and international stages including Arena Stage, Mark Taper Forum,
Yale Rep, South Coast Repertory, La Mama Theatre (Melbourne,
Australia), Theatre of Changes (Athens, Greece), Red Pear Theatre
(Antibes, France), and The Magnet Theatre (Cape Town, South
Africa).
Costume Design: Stage and ScreenM.F.A., Design, Yale School of Drama
Maggie Morgan is a costume designer for stage and screen. Her
recent work includes a Broadway musical, feature and short films,
and several productions at California theaters.
Ph.D. Duke University, 1999B.A. University of Cincinnati, Phi Beta KappaPerformance Studies
Jon D. Rossini is Associate Professor in the Department of
Theatre and Dance at UC Davis where he teaches courses in Theatre
and Dance History, Ethnicity/Race in Performance, Performance
Writing, Playwriting, and Theories of Performance.
