This new choreography devised by graduate student Brandon
Gonzalez and produced by ITDP
plays in the Arena Theatre, Wright Hall.
The Space Between is an ongoing choreographic exploration into
the sense of space and human relationship. Three performers
attune to one another, they change the space and the space
changes them. Together the dancers wait, and the complexities of
desire, anxiety, and society arise.
This stilt-walking migration commences at 5 p.m. at the Egghead
sculpture outside of Wright Hall, then crosses the Quad lawn and
concludes at approximately 6 p.m. at the southwest outdoor corner
of the “Death Star” Social Sciences & Humanities building.
Written by Miguel de Cervantes
Directed by Adrienne Martín
Sat., April 13, 6pm, 2013
Wyatt Pavilion Theatre
Open to the Public/Suggested donations at the door.
Text by William Shakespeare
Adapted and Directed by Josy Miller
Thu-Sun, May 16-19, 8pm, 2013
Wyatt Pavilion Theatre
Open to the Public/ Suggested donations at the door
Limited seating—first come, first served
the change(d)
Devised and Directed by Duskin Drum
Fri-Sun, May 24-26, 4:30pm, 2013
Arena Theatre, Wright Hall
a political and ecological allegory.
breathing and feeling and choosing to keep breathing.
a non-narrative partially participatory physical theatre
show.
once you turn upside down, rightside up is not the same.
the climate has changed, how shall we?
Duskin Drum is a doctoral candidate in Performance Studies at UC
Davis.
Produced & Directed by Nita Little
Sat-Tues, Sept. 15-18, 2012
Main Theatre, Wright Hall
There is no audience for this event. Project participation is by
invitation only for UC Davis students.
A new play written by Susan-Jane Harrison
Directed by Jessa Brie Berkner
Fri, Oct. 5 8pm, 2012
Wyatt Pavilion Theatre
Open to the Public/ Suggested donations at the door
Limited seating—first come, first served
Thu-Sun, Dec. 6-9, 8pm, 2012
Wyatt Pavilion Theatre
Open to the Public/Suggested donations at the door
Dead Man’s Cell Phone is an imaginative comedy by
playwright Sarah Ruhl, a MacArthur Fellowship recipient. It
reveals the lives of ordinary people through their cellphone
conversations and one woman’s need to connect in a
technologically obsessed world. The production design draws from
the art of Edward Hopper and Lillian Warren.
