The California
Studio was established in 2020 through the generosity of
longtime UC Davis arts education benefactors Jan Shrem and Maria
Manetti Shrem. The California Studio builds on the Department of
Art and Art History’s legacy as home to a top-ranked
art studio program that, since its founding in 1958, has trained
individuals that inspire communities and culture. The California
Studio presents contemporary forms of practice and approaches to
education that expand upon this history.
The California Studio welcomes a group of visiting artists
annually to the Department of Art and Art History. Visiting
artists come to UC Davis in one of two types of
residencies:
Spotlight artist residencies. The
California Studio supports three to four spotlight
artists each academic year. Spotlight artists are in residence
for seven to 10 days and receive a generous honorarium,
accommodations while at UC Davis and a travel stipend.
While at UC Davis, each artist participates in and contributes
to the life of the Art Studio program through departmental and
public programming. Spotlight artist residencies are by
invitation only, and residency programming is created in
conversation between visiting artists and departmental faculty.
Teaching artist residencies. The
California Studio hosts two teaching artists in the Department
of Art and Art History. Teaching artists design an advanced
undergraduate studio course and a graduate-level seminar for
the department’s graduate students. Each artist is in residence
for one academic quarter, or ten weeks, and receives a salary,
benefits, a travel stipend, a materials stipend and studio
space. Teaching artists are active members of UC Davis’
artistic and scholarly communities. As such, they are
encouraged, and provided with the administrative support, to
collaborate with the UC Davis community and to take advantage
of Northern California’s immense resources.
To learn more about visiting artists at The California Studio or
to sign up for The California Studio newsletter, please
click here.
Torkwase Dyson describes herself as a painter
working across multiple mediums to explore the continuity between
ecology, infrastructure, and architecture. She works in in
painting, drawing, and sculpture, and her abstract works examine
human geography and the history of Black spatial liberation
strategies, often grappling with the ways in which space is
perceived, imagined and negotiated particularly by black and
brown bodies.
Community Education Room, Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Marie Lorenz is a New York-based
printmaker, sculptor, and filmmaker. Her work is rooted in
the exploration and narrative of New York City’s waterfronts.
Combining psycho-geographic exploration with highly crafted,
material forms, Lorenz uses boats to create an uncertain space
and bring about a heightened awareness of place.
Community Education Room, Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Byron Kim creates paintings that double as
portraits and landscape paintings, utilizing the languages of
formal abstraction, observational paintings, and conceptual art.
His well-known Synecdoche series (1991–present) is a
group portrait composed of hundreds of 10 x 8 in panels, each
painted to match the skin tone of a sitter.
Community Education Room, Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Clarissa Tossin works with moving-image,
sculpture and installation to propose alternative narratives for
places defined by histories of colonization. She is the fall
quarter visiting professor in The California Studio: Manetti
Shrem Artist Residencies.
Clarissa Tossin works with moving-image,
sculpture and installation to propose alternative narratives for
places defined by histories of colonization. Through a mix of
research, storytelling, and gestures of mapping and layering,
Tossin places seemingly disparate elements into conversation,
generating unexpected moments of interconnectedness across time
and space.
Community Education Room, Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
Eungie Joo is Curator and Head of
Contemporary Art at the San
Francisco Museum of Modern Art. Prior to SFMOMA, Joo
was Keith Haring Director and Curator of Education and
Public Programs at the New Museum in New York (2007 to
2012).
Community Education Room, Jan Shrem and Maria Manetti Shrem Museum of Art, Davis, CA
The California Studio: Manetti Shrem Artist Residencies at UC
Davis presents contemporary forms of practice and approaches to
studio art education. The program brings a group of visiting
artists to the Department of Art and Art History every year.