Schedule
(All events take place in the Vanderhoef Studio Theatre, Mondavi Center, unless otherwise noted.)
Wednesday, January 13
8:00–9:00 am — Conference Registration
9:00 am — Welcome and Introductory Remarks
Jessie
Ann Owens (UC Davis), “Cipriano de Rore at 500”
The Late and Posthumous De Rore
9:45 am — Anthony
Newcomb (UC Berkeley)
“Posthumous De Rore: Il desiderio e la
speranza”
10:30 am — Break
11:00 am — Alejandro Planchart
(UC Santa Barbara)
“Cipriano de Rore’s Ovidian Madrigal Da le
belle contrade
and the Dawn of the Seconda
Prattica”
Response: Ralph Hexter (UC Davis)
12:00–1:30 — Lunch [Grand Tier Lobby, 3rd Floor, Mondavi Center]
Words / Sounds / Meanings
1:30 pm — Giuseppe Gerbino
(Columbia University)
“‘Bringing before the eyes’: De Rore and
Enargeia”
2:15 pm — Bonnie
Gordon (University of Virginia)
“Cipriano, Ariosto and Renaissance Sound”
Response: Deanna Shemek (UCSC)
3:00 pm — Break
Orlando di Lasso’s Cipriano
3:30 pm — David Crook
(University of Wisconsin)
“Né sacro né profano: Cipriano de Rore’s
Da le belle contrade in
Post-Tridentine Munich”
4:15 pm — Jessie Ann Owens (UC Davis)
“Orlando di Lasso’s Reading of Cipriano de
Rore’s Scarco di doglia”
Concert: The Music of Cipriano de Rore
8:00 pm — Orlando
Consort
Matthew Venner, alto | Mark Dobell and Angus
Smith, tenor
Donald Greig, baritone | Robert Macdonald, bass
Thursday, January 14
Performance Practice: Rethinking Chromaticism and
Tuning
with the participation of the Orlando Consort
10:00 am — Ross Duffin
(Case Western Reserve University)
“Cipriano de Rore, Giovanni Benedetti, and
the Just Tuning Conundrum”
10:25 am — Jeffrey Levenberg
(Chinese University of Hong Kong)
“Seconda Prattica Temperaments,
Prima Prattica Tempers:
Re-Tuning De Rore in Theory and Practice”
11:30 am: Orlando Consort
“Tuning in Practice”
Concert: Exploring the Music of Cipriano de Rore
12:00 pm — Shinkoskey Noon Concert [Jackson Hall, Mondavi
Center]
Early Music Ensemble
Matilda Hofman, director
1:15 pm — Lunch [Grand Tier Lobby, 3rd Floor, Mondavi Center]
The Afterlife of De Rore’s Greatest Hits
2:30 pm — Christopher
Reynolds (UC Davis)
“Is Cipriano’s Anchor che col
partire Musically Gendered?”
3:15 pm — Break
Next Steps for Research on Cipriano de Rore
3:45 pm — Wim Daeleman
”The De Rore Website: An Overview”
4:15 pm — Jessie Ann Owens (UC
Davis)
”Report on the UCHRI-funded project to
catalogue
arrangements and reworkings of Cipriano’s music”
Friday, January 15
Post-conference event
8:00 pm — Film and Music: The
Passion of Joan of Arc
Orlando
Consort











