UC Davis alumnus Cesar Favila (B.A. music, ‘06)—now assistant
professor of musicology at UCLA’s Herb Alpert School of Music—has
been given the Susan McClary and Robert Walser Fellowship in
Music Studies from the American Council of Learned Societies
(ACLS).
Professor of Music, emeritus, Christopher Reynolds has been
elected a member of the
Musicology and Art History section of the Academia
Europaea (Academy of Europe). The purpose of the
Academy of Europe—an academy of sciences and humanities—is for
the advancement and propagation of excellence in
scholarship ”for the public benefit and for the advancement
of the education of the public of all ages.”
The fellowship will support Díaz’s research of four
communities in Ghana, Togo, Benin, and Nigeria, which were formed
by the descendants of emancipated Africans who resettled from
Brazil to West Africa during the 19th century.
The annual “Arts & Humanities Graduate Exhibition” features 27
students from eight majors in the UC Davis College of Letters and
Science. Students Kelley O’Leary, art studio, Joseph Vasinda,
music composition, and Iris Xie, design, discuss their work.
Undergraduate music major (focusing on vocal performance)
Tiara Abraham has won second place in
the Sacramento Master Singers Youth Scholarship competition. For
it she sang one of only a few Vincenzo Bellini art
songs, ”Per pietà, bell’idol mio,” in the collegiate
category, age 20–22.
Lecturer in music and alum Christopher Castro (Ph.D., composition
and theory, ‘18) has accepted the position of assistant professor
of composition at Chapman University’s College of Performing
Arts, Hall-Musco
Conservatory of Music. He joins the faculty in August
2022 and will teach composition and theory.
In a continuance of the Bay Area’s West Edge Opera “Aperture”
series, frequent collaborators and UC Davis alums Ryan Suleiman
(Ph.D. music, ‘20) and Cristina Fríes (M.A. creative writing,
‘19) have once again received positive reviews for an excerpt of
their new opera project, The School for Girls Who Lost
Everything in the Fire.
The British Forum for Ethnomusicology (BFE) has awarded a
commendation to Juan Diego Díaz in its 2022 “Early Career Prize”
for his 2020 article, “The Musical Experience of Diasporas: The
Return of a Ghanaian Tabom Master Drummer to
Bahia,” Latin American Music Review.
On Saturday, April 9, 2022, at 1:00 pm (Pacific Time), Professor
Christian Baldini will conduct the Porto Alegre Symphonic
Orchestra in Brazil. On the program is a double marimba concerto
(Fantasia Brasileira) by composer Rosauro Ney, as well
as Jean Sibelius’s Second Symphony.
Daniel Godsil (PhD, composition, ‘21) is now in
a tenure-track position teaching in the Department of Music at
Columbia College (Sonora, CA), which is located in California’s
Sierra Mountains.
Composition student Emily Joy Sullivan’s Bassoon Quartet was
performed at Denison University’s TUTTI Festival. The work was
included in a program on March 25 that focused on woodwinds.
Alumnus Gabriel José Bolaños (Ph.D., composition, ‘15) is
the recipient of the 2022 Suzanne and Lee Ettelson
Composer’s Award for his work nosotros hemos puesto los
muertos for bass flute, violin, cello, and double
bass.
The UC Davis Symphony Orchestra will premiere two works,
including one responding to the COVID-19 pandemic and a
much-loved symphony by Antonín Dvořák for its concert on March 5.
The concert takes place at 7 p.m. at the Robert and Margrit
Mondavi Center for the Performing Arts.
Pierpaolo Polzonetti, Jan and Beta Popper Professor of Music, has
been receiving media attention for his new book Feasting
and Fasting in Opera: From Renaissance Banquets to the
Callas Diet (University of Chicago Press, 2021). Recently he
discussed the book on BBC Radio’s “Music Matters: Art centres,
Giovanni Antonini, Opera and Food.”
Tiara Abraham, 16, a senior at UC Davis, majoring in vocal
performance at the Department of Music, has received a 2022
YoungArts award in Classical
Voice.
The Suzuki Association of the Americas (SAA) has announced that
alumna Angelica
Cortez (B.A., music, ‘12) has been named executive
director of the organization.
An excerpt called “Gaia|Gyre|Siren” from Newtown Odyssey,
the site-specific opera composed by Professor Kurt Rohde,
was recently performed. In conjunction with the performance,
Rohde and his collaborators were interviewed
for Urban
Omnibus, a publication of the Architectural League of
New York.
Ryan Suleiman (PhD, composition, ‘20) has
joined the faculty at Boston’s Berklee College of Music. As
part-time assistant professor in the composition department,
he will be teaching classes on harmony and counterpoint.