Brooklyn Art Song Society: “Creative Writing”
Recital Hall, Ann E. Pitzer Center
Charlotte Mundy, soprano | Zach Finkelstein, tenor
Michael Brofman and Miori Sugiyama, piano
A program of collaborative new works by participants in the UC Davis Music and Creative Writing Graduate Programs—
Chris Castro: AERIAL
Text by Joy Ding
Addie Camsuzou: Opens Lark in its
Text by Luke Munson
Ryan Suleiman: Moon, Bride,
Story and Text by Cristina Fries
Kurt Rohde: Three Scented
Text by Scott Hunter
Sam Clark-McHale: Left Hand
Text by Madeline Gobbo,
with Emily Clark-Kramer, MFA in Art Studio
Sarah Wald: Pat on the Back
Text by Brendan Higginbottom
Free (a Shinkoskey Noon Concert)
The Brooklyn Art Song Society (BASS) has earned a reputation as one of the preeminent organizations dedicated to the vast repertoire of poetry set to music.
The New York Times called BASS “a company well worth watching” and Voce di Meche hailed, “as long as BASS is around we do not need to worry about the future of art song in the USA.” Opera News writes, “Brooklyn Art Song Society keeps the intimate recital alive with innovative programming,” and the New Yorker praised BASS as “uncompromisingly dedicated to continuing the traditions of classical art song, both old and new.”
Past highlights have included performances of the complete songs of Charles Ives and Henri Duparc, a festival of works from Franz Schubert’s last year, a five-concert survey of the songs of Les Six, and the complete output of Hugo Wolf over six seasons. Committed to keeping art song relevant in our time BASS has collaborated closely with important living composers such as Tom Cipullo, Michael Djupstrom, Daron Hagen, Jake Heggie, Libby Larsen, Lowell Liebermann, James Matheson, Glen Roven, Andrew Staniland, Scott Wheeler and Yehudi Wyner, and many others. In May 2015 BASS released its first album, New Voices on Roven Records, which debuted in the top 10 on the Billboard Traditional Classical charts.
Highlights from this season include the five-concert series La France, two world premiere commissions by acclaimed composers Harold Meltzer and Kurt Rohde, a west coast tour, including performances on KING FM 98.1, Seattle’s classical radio station, and an artist residency at University of California- Davis. In addition to monthly concerts in Brooklyn, BASS has traveled to Philadelphia, Kansas City, Portland, ME and held residencies at University of Notre Dame and University of Chicago. Brooklyn Art Song Society is proud to make the Brooklyn Historical Society its primary venue, and also has lasting relationships with National Sawdust and the Brooklyn Public Library. BASS’s artist roster features over 40 of the finest young interpreters of art song.