Brian Rice Lecturer in Music Director of Samba and Afro-Cuban Percussion
Brian Rice is a highly acclaimed performer, educator, and
recording artist and one of the most versatile percussionists in
the Bay Area. Though best known as a specialist in Brazilian and
Cuban music, he can be heard playing a multitude of styles,
and his percussion playing graces over sixty recordings.
Brian Rice received his Bachelor of Music from the
Oberlin Conservatory of Music in percussion performance and
ethnomusicology, and he has been a freelance musician since 1989,
founding the bateria Samba Seattle and the Afro-Cuban
Folkloric Collective, and traveling to both Cuba and Brazil for
musical studies. He currently performs with Mike Marshall
and Choro Famoso, Claudia Villela, Jorge Alabe and Samba Rio,
Cascada de Flores, the Berkeley Choro Ensemble and Wake the Dead.
He is an endorser of Latin Percussion instruments.
Samba School will be offered in person for Fall Quarter 2020.
We will rehearse outdoors under the canopy at the
Shrem Museum, and students will be checked out instruments.
* this course will not be offered during the 2020–21
school year.
The Afro-Cuban Ensemble studies and performs music from the
African-derived folkloric traditions of Cuba, the instruments and
techniques of the Yoruba, Bantu, Arara and Iyesa drumming, and
song traditions including the bembe, batá, guiro
(chekere), as well as Cuban secular music such as Rumba, La
Conga, Conga Santiago. Includes an introduction to the
historical and cultural context of folkloric traditions and
practices in Cuba.
Brian Rice, congas and UC Davis lecturer in
music
Saul Sierra, bass
Marco Diaz, piano
Dave Flores, drums
From folklorico to modern jazz this new quartet of
accomplished musicians collaborates to bring listeners a
kaleidoscope of music from Cuba, Puerto Rico, Brazil, and many
other Latin traditions.
* this course will not be offered during the 2020–21
school year.
The Afro-Cuban Ensemble studies and performs music from the
African-derived folkloric traditions of Cuba, the instruments and
techniques of the Yoruba, Bantu, Arara and Iyesa drumming, and
song traditions including the bembe, batá, guiro
(chekere), as well as Cuban secular music such as Rumba, La
Conga, Conga Santiago. Includes an introduction to the
historical and cultural context of folkloric traditions and
practices in Cuba.
