Clare Bokulich is a candidate for a Ph.D. degree in musicology at Stanford University (expected June 2015). Her dissertation is “Hierarchy, Intertextuality, and Intimacy in Fifteenth-Century Music Genres.”

Bokulich is the team leader of the Josquin Research Project, which transcribes scholarly editions, and performs data analysis. Bokulich recently assisted Professor Jesse Rodin (Stanford) in planning and executing a week-long Josquin workshop that combined professional singers and Stanford undergraduates and graduate students focusing on using the Guidonian Hand.

Her presentations given include…

Clare Robinson and Jesse Rodin, “A ‘Large Mass of Facts,’” (Annual Meeting of the American Musicological Society, 2012).

Clare Robinson, “Screams, Laughter, and Silence in Wagner’s Parsifal,” (Northern California chapter meeting of the American Musicological Society, 2012).

Clare Robinson, “Silence in Miles Davis’s Kind of Blue,” (Annual Meeting of the Society for American Music, 2012).

Victoria Chang, Clare Robinson, and Eric Tuan, “The Stanford Josquin Research Project: Overview and Strategy Session,” (MedRen, 2011).

Clare Robinson, “Josquin des Prez and the Functions of Sixteenth-Century Print
Culture,” (New England Chapter of the American Musicological Society, 2008).

Her awards include…

Chair’s Award for Excellence in Teaching (Department of Music, Stanford University, 2011).

Hoefer Prize for Excellence in Undergraduate Writing (Award given for mentoring the prize-winning undergraduate essay, Stanford University, 2011).

Centennial Award for Excellence in Teaching (University-wide Award, Stanford University, 2012).

Finalist, Ingolf Dahl Award (Northern California Chapter of the American Musicological Society, 2012).