Music

Bandoneón and Orchestra Partner Uneasily in New Concerto

Fitting a squeeze-box Argentinian bandoneón – an essential element of tango dance-hall bands – into a classical-music milieu is a bit of a stretch. The two sound-worlds are so fundamentally different that it’s hard to imagine how they could intersect. Nonetheless, star Argentinian bandoneónist J.P. Jofre and the Santa Rosa Symphony gave it a whirl on Sunday at Weill Hall in Rohnert Park, premiering a concerto for bandoneón and orchestra by Pablo Ortiz, an Argentinian professor of composition at UC Davis.

Empyrean Ensemble Debuts Works By Melinda Wagner

The second gem of the evening was composer Dan VanHassel’s fzzl, written for snare drum with transducer. Percussionist Megan Shieh was a dynamic presence in a work informed by African drumming. Van Hassel’s score makes ample use of all sides of the snare drum.

Ortiz’s Bandoneon Concerto Premieres February

Composer Pablo Ortiz will have his Bandoneon Concerto premiered by the Santa Rosa Symphony, with J.P. Jofre, for whom the work was written, on February 7th at the Weill Concert Hall at the Green Music Center.

American Bach Soloists and the Enduring Charm of “Acis and Galatea”

Baritone Mischa Bouvier was vocally and dramatically larger than life as the bumbling giant and murderous monstrosity that Polyphemus is. His gruesome act of crushing Acis under a stone leads to one of the baroque’s saddest musical moments, in which the chorus sings, unaccompanied, “Ah, the gentle Acis is no more,” and the members of the excellent ABS chorus, for just a moment, managed to bring time to a standstill.

things that had no opposites

Composer Sam Nichols had a first performance of his things that had no opposites—fragments from Tim Horvath for soprano, flute, guitar, and harp—with the Left Coast Chamber Ensemble, on their December 7 and 8 “Sung and Strummed” concerts (2014). Nichols received a Fromm Foundation award and commission for the piece. As reviewed by Benjamin Frandzel of San Francisco Classical Voice:

Sydney Robinson Charles<br/>(1922–2014)

September 21, 1922 – November 20, 2014

The musicologist Sydney Robinson Charles, professor emerita at the University of California, Davis, died November 20, 2014, in Hopkins, Minnesota, where she had moved to be nearer to her son, Gordon, his wife, Susan, and her grandchildren, William and Caroline. She served her entire musicological career (1961–85) on the Davis campus, where she was central in establishing musicology and its infrastructure, including the foundations for the Ph.D. degree inaugurated in 1989.

Busse Berger Wins Two Prizes for “Spreading the Gospel of Singbewegung: An Ethnomusicologist Missionary in Tanganyika of the 1930s”

Professor Anna Maria Busse Berger has earned two national awards for her article, “Spreading the Gospel of Singbewegung: An Ethnomusicologist Missionary in Tanganyika of the 1930s,” which appeared in the Journal of the American Musicological Society, (University of California Press, Vol. 66, No. 2, pp. 475–522). With these two awards and her 2006 award from the Society for Music Theory, Busse Berger has been given the top scholarly prize from all three major music societies in the United States.

A Scholar filled with song

Chris Reynolds, faculty in the Music department and recipient of the 2013 UC Davis Prize for Undergraduate Teaching and Research, is featured on the One World, One UC Davis page. Professor Reynolds is recognized for his impact on students, teaching them how to develop and apply critical thinking skills using a subject that inspires and engages them — great music.