Event

Keyboard Festival: Forum
Vanderhoef Studio Theatre, Mondavi Center

Moderated by Professor Carol Hess (musicologist, UC Davis), with Belle Bulwinkle (pianoforte player, Mills College), and Phebe Craig (harpsichord player, UC Davis).

The fascinating musical developments that took place in the 18th century prompted a great evolution in keyboard instruments and, in turn, significant changes in keyboard technique. 

Many are aware there was a transition between the Baroque and classical periods in music, but what was really going on? Was there ever a composer who went to his instrument maker and said, 

“Really, I need something else! Alberti and his cohorts came up with this great way of sustaining a harmony forever in my left hand, but it is really annoying on the harpsichord, and it is covering up the melody the King composed. It’s just too loud! I might lose my job! I need an instrument that can play both loud and soft at the same time!”

Enjoy a fun and informative discussion of what happens when Sturm und Drang, Empfindsamkeit, and Galant find themselves in the same sentence in a book on music history and have to “duke it out”!

After the discussion, please visit the many instruments (a variety of harpsichords, a clavichord and a fortepiano) that will be placed in different locations at the Mondavi Center for visitors to hear and play (gently, of course).

Free, non-ticketed

Faculty Profile

Carol A. Hess
Distinguished Professor of Music

Carol A. Hess, professor of music at UC Davis.

Carol A. Hess has published books and articles on the music of Spain and the Americas. Her work has been funded by the National Endowment for the Humanities, the Spanish Ministry of Culture, and the New York Public Library, among other entities. She received the Society for American Music’s Irving Lowens Article Award, and her book Manuel de Falla and Modernism in Spain, 1898–1936 (University of Chicago Press, 2001) won the ASCAP-Deems Taylor Award and the American Musicological Society’s Robert M. Stevenson Prize for Outstanding Scholarship in Iberian Music, in addition to other prizes.

(530) 754-2616
Room 222B, Music Building

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