Elizabeth Campbell is a musicology Ph.D. student at the University of California, Davis. She graduated from Indiana University in 2017 with master’s degrees in musicology and library science after completing a bachelor’s degree in music at Luther college in 2014. Her research interests include Renaissance vocal polyphony and amateur music making in the United States, in particular the music of the early twentieth-century women’s suffrage movement.
Melita Anastasia Denny is a student in the UC Davis Ph.D. program in musicology. She earned a bachelor’s of science degree in viola da gamba performance from Indiana University Jacob’s School of Music, graduating with distinction in 2009. During her studies at IU, she also did additional work in music history with research interests centering on the history of music theory and imitative counterpoint in Renaissance sacred polyphony.
Kathryn Firth is a Ph.D. student in musicology at UC Davis. Originally from England, Kathryn earned a Bachelor of Arts in Music from the University of Southampton in 2015. In May of 2017, she received a Master of Music History from the University of Massachusetts Amherst. Her Master’s thesis was entitled “Gender Ambivalence in Late-Renaissance Italy: The Career and Reception of Tarquinia Molza,” and in January 2017, Kathryn presented this research at the British Forum for Ethnomusicology/Royal Musical Association Research Students’ Conference in Canterbury (UK).
Andressa Gonçalves Vidigal is a Ph.D. student in musicology at the University of California, Davis. She is Brazilian and grew up in the city of Maringá, Paraná. She holds a bachelor’s degree in music from Universidade Estadual de Maringá and a master’s en route from University of California, Davis. Her current studies are funded by the Brazilian agency CAPES (Coordination for the Improvement of Higher Education Personnel); from whom she received the esteemed Doutorado Pleno (Full Doctoral) Scholarship.
Jonathan Minnick is currently a second-year Musicology Ph.D. student at UC Davis. Minnick graduated from the University of North Carolina at Chapel Hill with honors and distinction in 2016 with a Bachelor’s of Music in trombone performance. At UNC, he performed in many ensembles across the campus while also focusing on musicological studies, leading to an honors thesis exploring Richard Strauss’s Alpine Symphony. Here Minnick analyzes the historical origins, cultural influences, and extensive tone painting of a turning-point work in the composer’s career.
She received a Bachelor of Arts in Liberal Arts with a concentration in Fine and Performing Arts and a minor in Music Performance from the Louisiana Scholars’ College at Northwestern State University of Louisiana. There, she wrote an undergraduate thesis, “Female Characters in Opera of the Enlightenment through the Late-Romantic Era: Mozart, Beethoven, Verdi, and Puccini.” Her primary research interests are in late nineteenth-century and early twentieth-century Spanish nationalism, especially as related to the work of Felipe Pedrell and Manuel de Falla.
B.M. Performance (flute), UC Santa BarbaraM.A. Musicology, Pennsylvania State University
Claire Thompson is a doctoral candidate in musicology at UC Davis. She has a B.M. in performance (flute) from UC Santa Barbara, and a master’s degree in musicology from Pennsylvania State University. Her research interests include music aesthetics and the cultural and political aspects of opera and operetta. Her dissertation explores the creation, dissemination, and reception of nineteenth-century Italian operas based on the works of Sir Walter Scott. She is a recipient of the Hubert H. and Barbara P.
Jeremiah Trujillo is an active soloist, collaborative pianist, and historical musicologist. He is the recipient of numerous awards, including the 2014 Eisner Prize for Music, awarded at the University of California, Berkeley. He was a finalist in the 2013 Carmel Music Society piano competition, held at Sunset Center in Carmel, CA. At the 2013 San Francisco Young Pianists Competition, he received a special prize for the interpretation of a nineteenth-century Romantic work.
Serena Yang is a doctoral candidate in musicology at the University of California, Davis. Her research interests include twentieth- and twenty-first-century music, interdisciplinary studies, cultural studies, and Asian music. Yang holds a bachelor’s degree in violin from National Sun Yat-Sen University, Taiwan, and a master’s degree in music history from the University of Cincinnati’s College-Conservatory of Music (under the supervision of bruce d. mcclung).