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Ph.D. Musicology, Boston University 1986Mellomfag (equivalent to M.A.), German Studies, Trondheim University, Norway 1974Staatsexamen für das Lehramt an Gymnasien (equivalent to M.A.), Music, Musikhochschule Detmold, West Germany 1971
Areas of Specialization:
Medieval, Renaissance History and Theory, Historiography, Music in African Mission Stations
Ph.D. Ethnomusicology, University of British Columbia
Juan Diego Díaz is an ethnomusicologist with a geographic research interest in Africa and its diaspora, particularly Brazil and West Africa. He is interested in how African diasporic musics circulate and transform across the Atlantic and how they serve individuals and communities in identity formation. He uses a variety of approaches including close musical analysis, timeline theory, groove analysis, phenomenology of the body, and discourse analysis. He is also a long term Capoeira Angola practitioner and has led capoeira and samba ensembles.
Principally committed to influencing and expanding the repertoire for solo percussion through commissions and premieres, Chris Froh is a member of the San Francisco Contemporary Music Players, the San Francisco Chamber Orchestra, and the Empyrean Ensemble at UC Davis.
Matilda Hofman, whose conducting has been described as having “a striking sense of purpose” and “taut and finely controlled” (San Francisco Gate) has a busy and varied performance schedule. She works regularly with a wide range of groups in Europe, and in California, which she has made her home. Matilda has performed at the Salzburg Festival, Berliner Festspiele, Holland Festival and Ruhrtriennale among others.
Pierpaolo Polzonetti specializes on opera and eighteenth-century music and culture. His research work has been funded by the Earhart Foundation, the American Council for Learned Societies, and the National Endowment for the Humanities.