Examines the cultural significance of social movements in recent U.S. history through the music of their time. The course will include music from the 1950s to 1980s from numerous genres, such as Gospel, Hip-Hop, Western Classical, Jazz, Rock, and R&B. A few examples are “We Shall Overcome,” George Crumb’s “Black Angels” and “(Nothing But) Flowers” by the Talking Heads.
This course is open to both music majors and non-majors.
The course is 4 units and will be held Tuesdays/Thursdays from 10:00-11:50 a.m. in room 105 in the Music Building. CRN: 63650
The bands is comprised of members of the student body who are interested in playing jazz music in the big band tradition. There are three jazz ensembles, each playing a variety of great music and culminating in a performance in the Recital Hall at the Ann E. Pitzer Center. Prior jazz ensemble experience is not required and all majors are accepted. For more information about participating in these jazz ensembles, including information on how to register for the course, please email firstname.lastname@example.org.
Room 214, Music Building • Times TBD by student availability.
Jazz combos are made up of students interested in playing small group jazz. Typically these groups will focus on the music of a significant musical artist (Miles Davis, Art Blakey, etc.) and will perform several times throughout the semester. Past performances include on-campus events, Picnic Day, and playing at the Vanderhoef Studio. Prior jazz combo or ensemble experience is preferred, but not necessary.To learn more, email email@example.com.
The UC Davis JazzLab (Jazz Composers Ensemble) is the counterpart ensemble to the new UC Davis Jazz Composition, Theory & Arranging Course. The JazzLab meets every week for a student composers reading session, composition, and arranging workshop. Internationally renowned Jazz artist, Dr. Jacám Manricks, will perform with and direct the ensemble in an effort to provide an inspiring, creative, and learning environment for all composers and ensemble members involved. Topics that will be discussed include: ensemble playing, sight-reading, improvisation, composition and arranging, orchestration, and music theory. The UC Davis JazzLab will perform a concert and recording session each quarter. The ensemble welcomes all instrumentalists to apply. To learn more or to apply, email firstname.lastname@example.org requesting an application form.
D.M.A., Manhattan School of Music, New YorkM.M, William Paterson University, New JerseyB.MUS, QLD Conservatorium, Australia
Jazz composer/arranger, saxophonist/woodwind player and music educator Dr Jacam Manricks has been a highly respected figure among the New York city jazz scene for the past 13 years. Manricks has released three highly acclaimed albums as a leader to date, (Labyrinth, Trigonometry and Cloud Nine) and performed as a sideman on countless other releases. His music has been highly commended in major music magazines, websites and newspapers in the United States, Canada, France, Portugal, Italy, Ireland, Germany, Finland, Norway, Sweden, Estonia, Australia, and New Zealand.