Music

News

Announcement

Nowlen publishes “Keys to Transposition”
Ensemble Publications

Keys to Transposition teaches a step-by-step, strategic approach built on key and starting from scales, arpeggios and common patterns. It has several “failsafes” to prevent students from going wrong, and each unit includes excerpts from the orchestral, solo and chamber repertoire, starting with passages with no accidentals and few leaps and gradually adding difficulty. Each standard key also includes at least one duet excerpt.

Announcement

Hess’s “Experiencing Latin American Music” Published
University of California Press

Experiencing Latin American Music draws on human experience as a point of departure for musical understanding. Students explore broad topics—identity, the body, religion, and more—and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical contexts.

Upcoming Events

Event

ZOFO Piano Duo
ZOFOMOMA

Recital Hall, Ann E. Pitzer Center

ZOFO Piano Duo
Eva-Maria Zimmermann | Keisuke Nakagoshi

Selections from the ZOFOMOMA Live Concert Experience, which unfolds as an aurally and visually stunning walking tour through a virtual museum of modern art. Against an ever-changing backdrop of contemporary paintings, 15 new ZOFO-commissioned duet compositions are revealed throughout continuous performance. And in a nod to Mussorgsky, this 21st-century Pictures at an Exhibition leads viewers from one gallery to the next accompanied by a new “Promenade” theme arranged by ZOFO’s Keisuke Nakagoshi, with music written by living composers, including UC Davis’s own Pablo Ortiz.

Free (a Shinkoskey Noon Concert)

Ann E. Pitzer Center, Davis, CA
Event

Kyle Bruckmann, oboe,
with Chris Froh, percussion

Faculty Recital

Recital Hall, Ann E. Pitzer Center

Liza Lim: Ming Qi

Lou Harrison: Song for Remy

Du Yun: Oboe and Tam

Elliott Carter: A Six Letter Letter for solo English horn

Wendy Reid: tree piece #34

…plus works by Kyle Bruckmann for oboe and electronics

$12 Students and Children | $24 Adults (Open Seating)

Ann E. Pitzer Center, Davis, CA
Event

Soo-Yeon Lyuh, haegeum, and Ellen Ruth Rose, viola

Recital Hall, Ann E. Pitzer Center

Sister instruments from two traditions, Korean fiddle and viola, come together in a number of splendid new works performed by virtuosic proponents of new music Soo-yeon Lyuh and Ellen Ruth Rose. Featuring pieces by Jean Ahn, Addie Camsuzou, Josiah Catalan, Lily Chen, Kyle Hovatter, and Fang-Wei Luo. 

Soo-Yeon Lyuh is a master of the haegeum, a two-stringed Korean bowed instrument. She possesses not only flawless technique and a full command of the haegeum’s traditional repertoire, but is also widely recognized for promoting the creation of new pieces for haegeum.

Free (a Shinkoskey Noon Concert)

Ann E. Pitzer Center, Davis, CA
Event

Tobin Chodos, composer

Recital Hall, Ann E. Pitzer Center

Asher Tobin Chodos is a composer, pianist and musicologist. He has been named a fellow of the Dave Brubeck Institute, the Asian Cultural Council (for his research into China’s jazz scene), and the Ucross Foundation. He holds a degree in Classical languages from Columbia University and is a doctoral candidate in music at the University of California, San Diego. His dissertation is a quantitative critique of automated music recommendation.

Ann E. Pitzer Center, Davis, CA
Event

Ensemble Dal Niente

Recital Hall, Ann E. Pitzer Center

Works by graduate student
composers of UC Davis—

Addie Camsuzou
Josiah Catalan
Daniel Godsil
Aida Shirazi
Ryan Suleiman

Christian Baldini, guest conductor and UC Davis Professor of Music

Free, a Shinkoskey Noon Concert

Ann E. Pitzer Center, Davis, CA
Event

Ensemble Dal Niente

Recital Hall, Ann E. Pitzer Center

Alican Camci: Perde (2016) for bass flute and harp

Giacinto Scelsi​: Okanagon (1968) for double bass, percussion, and harp

Kate Soper: Only The Words Themselves Mean What They Say (2010–11) for soprano and flute

Enno Poppe: Holz (2004) for solo clarinet

Lu Wang: After some remarks by CW on his work​ (2018) for solo harp

Marcos Balter​: Memoria (2007) for solo cello

Erin Gee: Mouthpiece 32​ (2018) *world premiere* for two sopranos, two percussion, flute, clarinet, cello, and double bass

$12 Students and Children, $24 Adults (Open Seating)

Ann E. Pitzer Center, Davis, CA
Event

Film Screening:
”The Long Season”

Human Rights Film Festival 2018

Recital Hall, Ann E. Pitzer Center

In the Beqaa Valley of Lebanon lies refugee camp Majdal Anjar, where a small community of the country’s approximately 1.2 million Syrian refugees live. Award-winning director (Shape of the Moon; Position Among the Stars) Leonard Retel Helmrich spent a year-and-a-half following a handful of lively and resilient characters: a love-sick young man, eager to marry despite his elders’ sharp discouragement; a conflicted teacher, passionate about her work at the camp but under pressure to return to her husband and the dangers that await her in Syria; and a family torn apart when a husband marries a second wife. Using his renowned single shot technique, Helmrich’s incredibly intimate film The Long Season captures daily life for those whose futures are postponed by war.

Free

Event

Film Screening: “The Force”
Human Rights Film Festival 2018

Recital Hall, Ann E. Pitzer Center

[Q & A to follow.]

The Force presents a deep look inside the long-troubled Oakland Police Department in California as it struggles to confront federal demands for reform amid layers of inefficiency, corruption, and civil unrest after the murder of Michael Brown in Ferguson, Missouri. A young police chief, hailed as a reformer, is brought in to complete the turnaround at the very moment the #BlackLivesMatter movement emerges to demand police accountability and racial justice in Oakland and across the nation. Despite growing public distrust, the Oakland Police Department is garnering national attention as a model of police reform. But just as the department is on the verge of a breakthrough, the man charged with turning it around faces the greatest challenge of his career—one that not only threatens progress already made, but the very authority of the institution itself.

  • US Documentary Directing Award, Sundance Film Festival 2017

Free

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