Lyn Alessandra, class 2016, currently serves as a stage management assistant at Broadway at Music Circus in Sacramento.
What was your major? Major Theatre & Dance, double minor in French and Managerial Economics.
Did you travel? Studied abroad: France
Any research or projects during your time as a student here? Lyn did the Honors project in her senior year: scenic, costume, and bit of lighting design of French play that she studied in France. She took a stage direction class, focusing on a Moliere play, so she thought to design it since she did direction for it.
Courses/Activities in Theatre Dept? Lyn stage managed mostly, but also took classes in every other area of production/theater. She worked through college as a peer advisor and a company manager, then during the summers working at various places
What did you enjoy about the honors project? The Honors project was different because it was all her design. Since it was not assigned to her, it was all her choice and she was able to spend valuable time learning from Maggie Morgan and John Iacovelli. “Faculty connections are very important.”
“It’s your education, take charge if it. Push yourself and reach out to the faculty, and build a connection with them. Make it your own, try to create opportunities for yourself.”
Any internships/apprenticeships/jobs after college? Right after graduation, Lyn worked at Music Circus as a microphone dresser. From that opportunity, she was able to become Production Assistant/ASM at McCoy Rigby in Los Angeles; from there came back to Sacramento, and worked at the Sacramento Theatre Company. She worked at Music Circus again last summer, then moved to Dallas for an apprenticeship for 7 months, which was a production apprenticeship that focused on stage management. She was a Production Assistant for most shows, but she helped build the sets for one show.
How did you get to work at Music Circus? “I applied to be a Stage Management Assistant.” But the Circus had hired two Equity stage managers, so she took whatever they had for that summer. From working as a microphone dresser, she got to know them, and next year she asked if there was an opening in stage management.
How was the move to Dallas for this apprenticeship? “I rented an apartment blindly. I knew nothing about Dallas,” but she talked to people about any tips on living there. She just packed up and left for her apprenticeship when she received the opportunity.
What did you take away from your internships experience? From Dallas, she learned more about her own stage management style, and was able to learn new ways of doing things, as they differ from city to city, state to state.
What made you like stage managing? “I had so much fun figuring everything out myself – stage management’s what I want to do.” [As a stage manager,] you need to be able to talk to every person, to every department, and know their jargon.”
“I don’t care what I’m doing, I just always want to be in the theater.”
Did you do any other jobs while working in theatre? She had a side job of dog walking to help with extra bills, then she started selling dog bandanas – “Bark in Style Bandanas,” (check out her Instagram if interested). She also worked briefly in the restaurant industry, in retail, and took a bartender class just in case. But in theatre, she knew she wanted to be a part of Equity, so she pulled a list of every theater in the country that offered Equity points, and considered where she’d be willing to move to work for those Equity points. She wants touring experience before obtaining the Equity title.
Marissa Savaris currently attends Fordham University Law School in New York.
1. Majors: Dramatic Art & English.
2. Did you have any internships during or after college? “No, during college I did not have the chance to intern or work anywhere. I was President of Studio 301 Productions my senior year and a member of Tri Delta, so between those commitments and classes I had barely any extra time.”
3. Did you travel during or after college? “I studied abroad in Oxford, England the summer before my Senior Year. It was the Oxford: Portal to Fantasy program through the English Department with Amy Clarke. We studied children’s and young adult fantasy literature that had roots in Oxford, ranging from Harry Potter and Alice in Wonderland to Howl’s Moving Castle. At the risk of sounding cheesy, it was the most magical experience.”
4. Did you have any internships/apprenticeships/jobs after you graduated from UCD? “Yes, immediately after graduating, I moved to the east coast to work as a Company Management Intern at the Williamstown Theatre Festival in the Berkshires. Once the summer was over, I moved to New York to be the Company Management Intern at Manhattan Theatre Club. MTC produces Broadway productions at the Samuel J. Friedman Theatre on 47th Street and Off-Broadway productions at City Center on 55th Street. It is one of only four non-profit organizations in NYC with a resident home on Broadway. I had the opportunity to work on some incredible productions, including Constellations with Jake Gyllenhaal and Ruth Wilson. I worked briefly at MTC as the General Management Assistant, and then moved to the American Associates of the National Theatre as the Development & Special Events Assistant. The AANT is a 501(c)(3) non-profit organization that supports the work of the National Theatre in London and any productions that transfer to New York, such as War Horse, The Curious Incident of the Dog in the Night-Time, and Angels in America.”
6. Hometown? Where are you located now?
“Oak Park, California. “I currently reside in New York, where I just finished my first year of law school at Fordham University School of Law. I hope to pursue a career in entertainment law.”
Learn how to dig into a screenplay and mine the gold necessary to have an audition that stands out. Explore options on how to get a foot in the TV/Film/Webisode world and find out ways to use social media to increase your chances.
The UC Davis Department of Theatre and Dance will showcase a series of new student-created work. “Collaborative Stages: Student New Works Festival” will feature a series of new plays and dances conceived, created and performed by undergraduate and graduate students.
Presented in two different programs, “Collaborative Stages” will feature new plays by undergraduate students Rose Kim and Jordan Wilson and dances choreographed by undergraduate students Pratistha Bajracharya and Olivia Schlanger, and graduate student Lena Polzonetti.
Department of Theatre and Dance presents “WEREWIRE: A Highwire Sound Installation,” created by doctoral student Ante Ursić. This collaborative presentation is scheduled for Monday, April 2 at 4:30 p.m. in the Della Davidson Performance Studio in Nelson Hall. It is free and open to the public.
The UC Davis Theatre and Dance Department and the Theatre and Dance Ensemble are holding auditions for the second annual Ground and Field Theatre Festival. An exciting partnership formed to create and develop new plays and musicals for a sustainable future, the creative team is looking for actors and technicians to participate in the 2018 festival.
“Gibraltar,” a powerful drama that explores how we tell the stories of grief, opens the UC Davis College of Letters and Science’s Department of Theatre and Dance 2017-2018 season. The play is written by Octavio Solis and directed by UC Davis graduate and Granada Artist-in-Residence Kent Nicholson, now director of musical theatre at Playwrights Horizon Theatre Company in New York.
Directors from New York and Los Angeles, playwrights from across the nation, world-class scholars and emerging theatre artists have come together for the inaugural season of the Ground & Field Theatre Festival (GFTF), an exciting partnership formed to create and develop new plays and musicals.