Virtual Open House, Maria Manetti Shrem Art Studio MFA
Program:
December 13, 2024, 10-11am PST
RSVP
here
The M.F.A. in the Maria Manetti Shrem Art Studio Program at UC
Davis is a two-year, generously funded, critically engaged
graduate program that provides an opportunity for
interdisciplinary study in the visual arts. Drawing on the vast
resources of a research one university, the program offers M.F.A.
students the opportunity to engage in intensive artistic work
supported with individual, spacious 24-hour access studios, while
interacting with other artists, scholars and STEM professionals
across campus. We are committed to delivering an innovative
educational curriculum in preparation for professional public
engagement in the arts including arts education, exhibition and
curatorial practices, and community-based work. The culmination
of two years study is presented in the cross-campus,
cross-disciplinary thesis exhibition in the beautiful Jan Shrem
and Maria Manetti Shrem Museum of Art.
The Maria Manetti Shrem Art Studio Program offers
three vibrant visiting artist programs including The
California Studio, the Thiebaud Lecture, and the Visiting Artist
Lectures Series. A select list of recent speakers include:
Njideka Akunyili Crosby
Cecilia Alemani
Xu Bing
Tania Candiani
Raúl De Nieves
Kota Ezawa
Lynn Hershman Leeson
Sky Hopinka
Amelia Jones
Helen Molesworth
Wangechi Mutu
Latoya Ruby Frazier
Kang Seung Lee
Hito Steyerl
Our M.F.A. program offers substantial financial support through
paid teaching assistant positions and through the Maria Manetti
Shrem Art Studio Program and Graduate Studies Fellowships. UC
Davis is an academic partner of many professional programs, and
granting agencies including The Headlands Center for the Arts,
Dedalus Foundation, the Joan Mitchell Foundation, Skowhegan,
Provincetown Fine Arts Work Center, the Vermont Studio Center
among others.
Our educational and creative community is committed to empower
diverse perspectives and varied research interests contributing
to conversations in social justice, sustainability, public
interest and public-engaged scholarship.
The Maria Manetti Shrem Art Studio Program M.F.A. offers
substantial financial support through paid Teaching Assistant
positions each quarter and through Art Studio Program
Fellowships, made possible by generous private endowments.
Students may also apply for university support through Graduate
Studies Travel Awards, the Davis Humanities Institute, and
the University of California Institute for Research in the Arts.
UC Davis is an academic partner of The Headlands Center for the
Arts, Graduate Fellowship Program, which offers a year-long
artist residency for one of our M.F.A. graduates each year. Over
the years, graduates of the program have won many nationally
competitive graduate fellowships and post-graduate awards from
the Dedalus Foundation, the Joan Mitchell Foundation, Skowhegan,
Provincetown Fine Arts Work Center, the Vermont Studio Center,
the Roswell-Artist in Residence Program, and Eyebeam. Read
more>>>>
Faculty
The entire Maria Manetti Shrem Art Studio Program faculty
share responsibility for the graduate program and teaches
both graduate and undergraduate courses. Our faculty
represents a diversity of approaches across all
disciplines. See our People section for more
information about our faculty and lecturers.
Facilities
Graduate students are also provided with large, individual
studios on campus, located near the main art building with 24/7
access.
The Maria Manetti Shrem Art Studio Program has facilities
for the following media: drawing, ceramic sculpture, painting,
photography, printmaking, video, and sculpture. See our Resources page for more information
about each facility and its equipment.
The University is an unparalleled resource in all disciplines of
research to broaden and deepen the work of an artist. Graduate
students in the Maria Manetti Shrem Art Studio Program have many
opportunities to interact with their peers in Art History, Cinema
& Digital Media, Music, Performance Studies, and Design, through
facilities/labs, exhibitions, lecture series, and course
offerings.
Visiting Artists, Residencies and Lecture Series
Visiting Artist Lecture Series
A dynamic, interdisciplinary Visiting Artist Lecture
Series is a key component of the art studio M.F.A.
curriculum, providing students with the opportunity to conduct
studio visits with world-renowned
artists, critics and curators.
Past visitors have included Jerry Saltz, Phong
Bui, Joan Jonas, Gregory Amenoff, Mary Lucier, Robert
Storr, Vito Acconci, Ken Johnson, Jed Perl, Fred Tomaselli,
Kalup Linzy, Terry Winters, Larry Rinder, Jennifer and Kevin
McCoy, Rochelle Feinstein, Dana Schutz, Lucy Lippard, Angela
Dufresne, Ryan Trecartin, Shana Moulton, Rico Gatson, Rirkrit
Tiravanija and LaToya Ruby Frazier among others.
The Thiebaud Lecture The
Betty Jean and Wayne Thiebaud Lecture in the Theory, Practice
and Criticism of Painting, Drawing and Sculpture (formerly
the Betty Jean and Wayne Thiebaud Endowed Lecture) honors the
Thiebauds’ long commitment to educating the eye and hand along
with the mind. The endowment, started in 2015, complements
the Art Studio Program’s Visiting Artist Lecture
Series and The California Studio, both core
components of our M.F.A. program. The Betty Jean and
Wayne Thiebaud Lecture in the Theory, Practice and Criticism of
Painting, Drawing and Sculpture features practicing
artists along with critics, curators, writers, historians, and
museum professionals, to provide cultural insights and context
for contemporary art. The Thiebaud Endowment also aims to bring
more than one guest per year and/or extend the length of their
UC Davis engagement.
Past visitors have included: Njideka Akunyili
Crosby, Leonardo Drew, David Salle, Aliza
Nisenbaum, Catherine Murphy, Peter Schjeldahl,
and Rackstraw Downes.
The California Studio The California
Studio: Manetti Shrem Artist Residencies are dedicated to
the practice of art in a teaching and research environment. The
California Studio supports three to four spotlight
artists for week-long residencies and two teaching artists in
residence for ten-week, quarter-long residencies. Each
residency is student-centered and presents contemporary
forms of practice and approaches to studio art education.
Collaboration and Resources
UC Davis offers an array of programs that draw upon its wide
range of specialized academic fields. By stimulating
cross-disciplinary approaches and using its distinctive graduate
groups, UC Davis continues to follow and redefine the mandate of
a major research university and is committed to the land-grant
tradition on which it was founded, which holds that the broad
purpose of a university is service to people and society.
The University is an unparalleled resource in all disciplines of
research to broaden and deepen the work of an artist. Graduate
students in the Maria Manetti Shrem Art Studio Program have many
opportunities to interact with their peers in Art History, Cinema
and Digital Media, Music, Performance Studies, and Design,
through facilities/labs, exhibitions, lecture series, and course
offerings.
The Jan Shrem
and Maria Manetti Shrem Museum of Art is an institution
dedicated to combining vanguard artistic and curatorial
innovation with audience engagement. Exploring new means to
connect visitors with art and participating in the process of art
are two aspects of the new museum that are at the very center of
its vision. The museum will encourage interdisciplinary exchange,
provide means to make an impact on curricular development and
create informal educational opportunities.
Keister & Allen Art Purchase Prize
The Keister & Allen Art Purchase Prize is awarded annually to a
graduating Master of Fine Arts student. The award, started in
2017, provides for the purchase of artwork created by the
recipient for the university’s Fine Arts Collection. The
purchase prize is made through an endowment fund established by
Shaun Keister, vice chancellor of the UC Davis Office of
Development and Alumni Relations, and Walter Allen, a business
analyst in the client services unit of UC Davis Information and
Educational Technology. Read
more>>>
LeShelle & Gary May Art Purchase Prize
The LeShelle & Gary May Art Purchase Prize is funded by Jock
Reynolds, an alumni (M.F.A., ‘72) and the former director of the
Yale University Art Gallery. Read
more >>>
Letters & Science Prize for Excellence
The Letters & Science Prize is a $2,500 annual prize for a
graduating M.F.A. student in art studio to help further the
career of promising artists and to encourage, recognize and
celebrate its recipient’s creative and original contributions.
The prize was created in 2024 by Dean Estella Atekwana in
the College of Letters and Science.
The Letters & Science Prize for Excellence in the M.F.A. Program
joins the annual UC Davis graduate student arts exhibition’s
honors roster, which includes the LeShelle & Gary May Art
Purchase Prize, the Keister & Allen Art Purchase Prize and the
Savageau Award for Design.
About the Campus
Located in agricultural landscape of the Sacramento
Valley, UC Davis is about an hour’s drive from
Berkeley, Oakland, and San Francisco; a six-hour drive from Los
Angeles; a two-hour drive from the ocean and equidistant from
Lake Tahoe. Davis is situated on the floor of the Sacramento
Valley, hot and dry in the summer and cool and rainy in the
winter, and is surrounded by fruit and nut tree orchards. Napa
and Sonoma are close at hand.
Our M.F.A. Students
The M.F.A. in the Maria Manetti Shrem Art Studio Program values a
diversity of viewpoints, backgrounds, and experiences among its
students as this diversity strengthens and enriches our research,
scholarship, and teaching. Our diverse graduate student
population enhances the academic experiences for all students. We
are committed to a multicultural academic environment that
supports the success of all graduate students. Diversity among
students, faculty, and staff is a key, integral factor in
graduate education at UC Davis, to achieve an equitable,
hospitable and inclusive educational environment.
The M.F.A. in the Maria Manetti Shrem Art Studio Program is
a two-year program. Our academic year is divided into three
10-week quarters (Fall, Winter and Spring). View the course plan
details here.
Degree progress
Accepted students spend two quarters on a conditional basis.
During the second quarter, the student presents a body of work
done at UC Davis for faculty review (Art 291). If Art 291 is
passed, the conditional status is removed.
In the fourth quarter, the graduate student presents a new body
of work for faculty criticism and review (Art 292). Passing Art
292 indicates the student is ready to undertake the production of
a comprehensive body of work.
Final exhibition
During the final two quarters, the artist completes a body of
independent artwork known as the comprehensive project. It is
presented as an exhibition. If the
faculty accepts the work, the M.F.A. degree is granted.
The final exhibition/comprehensive project (Art 299D) is a body
of original work done instead of a written thesis. The work is
required to show involvement and commitment of the highest
quality. It should be of the depth and quality of a solo
exhibition in a reputable commercial or public gallery or, in the
case of site-specific works, of a similar professional quality in
consideration of siting, process, and fabrication. The student
will place this artwork in one of the galleries either on campus
or in the city of Davis. This exhibition is known as the Annual
M.F.A. Thesis Exhibition. It is usually scheduled in the month of
June. M.F.A. candidates submit a package at the time of their
thesis review which includes: an artist statement, a resume, a
CD/DVD of 20 images, including the work from the Thesis
Exhibition, and an annotated image index.
Typical Course of Study (12 units each quarter)
Miscellaneous course notes:
Courses below represent a typical course of study based on the
MFA Handbook and the exact course numbers may change each year.
Foreign language and art history courses are not required.
Art 299 is individual work under a specified faculty member.
First-Year
courses
Fall
Art 221A Critical Exploration and Collaboration (4 units)
Art 290A Critical Discourse in Contemporary Art (4 units)
Art 299 Independent Study (4 units)
Winter
Art 223 Concepts and Critiques (4 units)
Art 290B Critical Discourse in Studio Practice (4 units)
Electives – Graduate or Upper Division level in any subject
on campus (4 units)
(First Year Review)
Spring
Art 224 Theory & Concepts on Critical Issues in Contemporary
Art (4 units)
Art 290C Critical Discourse in Materiality (4 units)
Electives – Graduate or Upper Division level in any subject
on campus (4 units)
Second-Year courses
Fall
Art 221B Advanced Critical Exploration & Collaboration (4
units)
Art 290D Critical Discourse in Context (4 units)
Art 299 Independent Study (4 units)
(Second year review)
Winter
Winter
Art 226 Exhibition Strategy & Thesis Seminar (4 units)
or Art 225 Professional Practice in Contemporary Art (4
units)
Art 290E Critical Discourse on Media (4 units)
Art 299D Comprehensive Project (4)
(File Advancement to Candidacy mid-January for second year
students)
Spring
Art 299D Comprehensive Project (8 units)
ART 290F Critical discourse in Presentation (4 units)