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Painting and DrawingM.F.A. Painting, Cranbrook Academy of Arts, Bloomfield Hills, MI, 2005M.F.A. Drawing, Wayne State University, Detroit, MI, 2003B.F.A. Painting, Azad University, Tehran, Iran, 1998Appointed 2015
SculptureB.F.A. Kansas City Art Institute, 1977Appointed 2001
Robin Hill is an artist whose work focuses on the intersection
between drawing, photography, and sculpture. Her large-scale
installations capture wayward moments of beauty while extending
the life of the sculptural components she uses to generate
photographic images in cyanotype. She teaches sculpture and
drawing as well as special topics courses including The
Miniature, Where Here Is: Site Specific Public Art, and Drawing
Into Sculpture.
Photography in the Expanded FieldM.F.A. Columbia University, 2005B.A. Vassar College, 1992Appointed 2014
Tim Hyde works in the expanded field of photography. His
photographs, videos, and collages have been featured at the
Philadelphia Museum of Art, Ar/ge Kunst Galerie Museum, Bolzano,
Italy; the de Young Museum, San Francisco, CA; the Neuberger
Museum of Art, Purchase, NY; Sculpture Center, New York City; the
Busan Biennale in Busan, South Korea; and the Rose Museum at
Brandeis University, Boston, Massachusetts, among others. Hyde is
the co-founder of The Skull Sessions, an experimental art
publication distributed by SpacesCorners.
Video and Media ArtsM.F.A. University of California, San Diego, 2000B.F.A. NYSC, Alfred University, School of Art and Design, Alfred, NY, 1992Appointed 2005
Darrin Martin is an artist and educator. Through video,
sculpture, and print-based installations, his works engage the
synesthetic qualities of perception. Concerned with what is
gained and lost in the process of translation as mediated by both
old and new technologies and influenced by his own experiences
with hearing loss, his current projects consider notions of
accessibility through the use of tactility, sonic analogies, and
audio descriptions. His videos have screened internationally
at festivals and museums, including the Museum of Modern Art
(NY); Pacific Film Archive
PrintmakingM.F.A. Southern Illinois University, Carbondale, 2001B.A. Duncan of Jordanstone College of Art and Design University of Dundee, 1998Appointed 2017
Graham McDougal (b. Edinburgh, Scotland) researches and teaches
printmaking in relation to modern and contemporary art practices
with an emphasis on the integration of analog and digital
methodologies. His work utilizes printed ephemera as a subject,
source and site; informed by the role and history of print-media
within art and representation.
Painting and DrawingM.F.A. Columbia UniversityNew York Studio School, New York, NYB.A. Yale UniversityAppointed 2000
A painter who also writes about art, Hearne Pardee has focused
his investigations on the everyday landscape since moving to
Davis in 2001. His color compositions and on-site paintings of
houses, yards and schools are inflected by memory. They combine
the optical discipline of Josef Albers with the spatial
improvisation of Hans Hofmann.
SculptureM.F.A. Rhode Island School of Design, 1980B.S. University of Wisconsin, Madison, 1977Appointed 1985
Lucy Puls works with images and objects to explore the uniquely
human relationship to material possessions. Personal belongings
play a psychological and cultural role that is exceedingly
complex. Through the use of sculptural form, photographic images,
paint, and other additives the goal is to facilitate travel
between material awareness and representation.
Puls teaches sculpture, Beginning through Advanced, including
Sculpture: Materials, and Sculpture: Concepts, as well as Seminar
in Art Practice for undergraduates and Graduate Seminar.
Ceramic SculptureM.F.A. Cranbrook Academy of Art, Bloomfield Hills, MI, 1981B.F.A. NYSC, School of Art and Design at Alfred University, Alfred, NY, 1978Appointed 1997
Annabeth Rosen studied at Alfred University (BFA) and the
Cranbrook Academy of Art (MFA), and has gone on to teach at the
Rhode Island School of Design, the University of the Arts in
Philadelphia and the School of the Art Institute of Chicago.
Since 1997 she has held the Robert Arneson Endowed Chair at the
University of California Davis.
PhotographyM.F.A. School of the Museum of Fine Arts, Boston, MA, 2001B.F.A. Pratt Institute, New York, NY, 1998Appointed 2006
Young Suh received his BFA in Photography from the Pratt
Institute, Brooklyn in 1998, and went on to receive his MFA in
Studio Art from the School of the Museum of Fine Arts, Boston,
where he taught large format photography and digital printing.
His photographic work often deals with the complicated nature of
human involvement in managing natural resources and the shifting
concepts of nature in contemporary society.
M.F.A. Visual Art, Columbia University, New York, 2007Certificate Woodblock Printmaking and Papermaking, Kyoto Seika University, Japan, 2005B.F.A. Printmaking, Rhode Island School of Design, Providence, 2004
Office Hours: 7:30-4:00 M-F Advising: 10:00-12:00 and 1:00-4:00 M-F
Ariel Collatz is an academic advisor and program manager for the Arts Group Advising Center. She holds a B.A. degree in History from Hamline University in St. Paul, Minnesota and a M.S. in Counseling with a specialization in Career Development from Sacramento State University. She has worked as an undergraduate advisor at UC Davis for over 10 years. Her passion is helping students create a rewarding undergraduate experience.
Kathryn Shickman received her Bachelor of Arts degree in
Psychology from University of California, Berkeley and a Master
of Arts degree in Human Development from California State
University, Los Angeles. She has worked as an undergraduate
advisor and program coordinator at The Arts Group Advising Center
here at UC Davis since August, 2014. She has previously worked as
a study coordinator at UC Davis MIND Institute, and as an
advising assistant on campus in Mechanical & Aerospace
Engineering and at Services for International Students and
Scholars. In her career prior to coming to UC Davis, she has held
many roles in the fields of education and developmental
psychology.
Rachel Maryam Smith addresses constructed and glossy notions of
domestic and maternal bliss through enticing and prosaic
materials in menacing scale. She engages capital transformed into
disused collections of familiar objects and how those collections
represent the Western girl-woman-crone experience, exemplifying
internalized objectification and disabuse from autonomy.
Julia Edith Rigby is an artist from California. She works with
salvaged materials to hybridize printmaking, sculpture and
installation media. She in particularly interested in
questions involving gender, wildness, and the Anthropocene. Julia
sculpts with wood and metal salvaged from local natural areas and
waste sites, investigating mark as a means for exploring
existence, body and voice. She is interested in the slippage that
occurs between the disassembly and reassembly of forgotten
materials, in the relationships of these marks to one another, in
recomposing the decomposing.
B.F.A., Seoul National University, 2013M.F.A., Seoul National University, 2017
I was born in Seoul, South Korea. Through my practice, I try to
reveal the various conditions involved in making an artwork in
order to rethink the value of art that is freed from its myth of
creativity. My work often employs the strategy of disguise, which
recreates the boundaries between art and life within the
exhibition space such as the gallery or the museum. On the other
hand, I reconnect art with daily life by setting a new context
outside the institutions. In my search for the conditions of art
making, I begin to become curious about how it can be applied to
other artists and audience members in different social and
cultural environments, and how my own condition as well as the
society to which I belong are socially and culturally
distinct.
Brett Melliar’s formative years were largely spent grinding
competitively on soccer fields, basketball courts, and baseball
diamonds where a large portion of his identity and core values
were formed. Drawing inspiration from those experiences for
his art, Brett works with themes of competition, power,
hierarchy, frailty, and mortality. His large, busy,
chaotic, in-your-face paintings combines competing images and
modes of paint application, seemingly without rhyme or reason,
into complex visual statements that transcend into arena’s of
contemporary life.
B.A., Amherst CollegeM.S.W., Smith College School for Social Work
Jessica Eve Rattner’s photography has been featured in
exhibitions and respected publications at home and abroad. She is
a recipient of the Duke Center for Documentary Studies Essay
Prize and was a finalist for the The Arnold Newman Prize in
Portraiture.
B.A., Dartmouth College, Art Studio and Japanese Language and Literature
Brenda Gonzalez was born and raised in East Los Angeles,
California. She earned her B.A. in Art Studio and Japanese
Language and Literature at Dartmouth College in 2015 and
continued her studies in art through a post-baccalaureate program
at Brandeis University from 2017-2018. Being far from home during
most of her studies, she explores ideas of home and nostalgia
through the use of materials and objects typically found in the
home in her sculptures and use of digital media.
Zeina Baltagi is a first-generation Lebanese-American artist and
educator. Baltagi was born in Stockton and raised between
California and Lebanon. Her work explores and exposes the
tensions within identity and social politics. She ritualizes
materials into symbols of past memories and current
circumstances. The work reveals intimate transformations in
relation to lived experiences with physical, emotional, economic
and cultural mobility. She holds a B.A. from California State
University, Northridge and is a M.F.A. candidate at U.C. Davis.
B.A., University of California, Berkeley, Art Practice and History of Art
Creating art from materials found within a personal
landscape, Caz (Christopher) conceptualizes the connections
they may have with humans and nature to inspire a narrative that
empowers the work to have the authority to communicate the
story. Ritually working with cause and effect as a process,
adjustments are made based upon the reaction of the last while
working in a repetition of mark making and layers, until shapes
become forms that manipulate themselves into
representational figures. There is a voice of direction
from what is being created that speaks with in
