“Audio Description as a Generative Process in Art Practice,” written by Professor Darrin Martin, has been included in Performance Matters, Vol. 6 No. 1 (2020). This issue, entitled Copresence with the Camera, is edited by Lynette Hunter, Alex Lichtenfels, Heather Nolan, and John Zibell. Martin’s essay bridges the practice of audio description in my own work to other historical and contemporary examples of video art.