On the occasion of the major retrospective “Robert Rauschenberg: Erasing the Rules,” SFMOMA will be convening a colloquium of scholars and artists, among them Photography Professor Tim Hyde, to consider the artist’s engagement with photography throughout the course of his career.
Saturday, February 10, 2018
Presentations: 10am 0 12:30 pm
Gallery talks: 2:30 pm to 3:30 pm
“Great Hope” is a show by National Monument Press at The Union Gallery at UMass-Amherst featuring alum Zach Clark (MFA 2016). It is about the people, places, and experiences that encourage and sustain us. “Great Hope” is an open call and portfolio exchange for print work by artists from around the US and it is an opportunity for the exchange of ideas and conversations around hope.
Tavarus Blackmonster (MFA candidate 2018) will be at The Brickhouse Gallery and Art Complex for his solo exhibition “Tavarus Blackmonster: Formal Deliquent.” You can catch the opening reception on February 10 from 12-5 pm at the 2nd Saturday Art Walk. Congrats Tavarus!
Congratulations to Annabeth Rosen for her inclusion in San Francisco’s Contemporary Jewish Museum’s exhibition, “Contraption: Rediscovering California Jewish Artists.” The show runs Feb. 22 through July 29.
For the exhibition, Rosen has created one of her largest works, “Wave II,” a static machine of frozen accretion.
“Contraption” presents the work of 16 artists of Jewish descent who have lived in California over the past 150 years. It includes large-scale mechanical installations, drawings, paintings, sculpture, photography and more.
The Collegiate Exhibition is held in conjunction with the 10th Annual Art of Painting in the 21st Conference, this year featuring Alex Gross, Peri Schwartz, Hung Lu, and Chester Arnold. The exhibition opens on March 7 and runs through April 7. A first, second, and third place will be awarded by a Blick Art Materials representative. Best in show will receive a purchase award.
Ryan Meyer (second-year MFA candidate) will be in an exhibition at the Fort Mason Center for Arts & Culture entitled “This Message Has No Content.” This show will run from February 3 to March 10. An opening reception will be held February 2 from 6-9 pm.
Gina Werfel was a participating artist in this years Art Apart Fair in Singapore. Art Apart is an international art fair that embraces the diversity of cultural content and artistic expression from around the world, at the same time offering unwavering support to local artists as well. It made its debut in Singapore in January 2013 and showcases the works of emerging and mid-career artists.
The student staff of the Basement Gallery is currently seeking submissions for “Being: Portraiture and Poetry.” Submissions are open until Feb. 5
Submissions are open to all types of medium and poetry based on the theme of “the self.” An individual can submit up to three works for consideration. Video submissions must be under three minutes in length. Visual art must be submitted in a jpeg format. There is also the opportunity to submit for open mic slots.
To submit or for further information, email submit2BG@gmail.com.
Art Studio major Shuyi Qi will have their first solo exhibition, entitled “Journey,” at the Walter A. Buehler Alumni Center. “Journey” will run from February 5 to March 9, 2018. There will be an artist’s reception on Sunday, February 11 from 2-4 pm.
Juliana Paciulli (MFA 2004) has started a kickstarter campaign for her new project Know Nonsense – 2017, an artist book in the form of a calendar that critically and humorously chronicles the first year of Trump’s presidency. Each month features an image of an absurd consumer object accompanying daily documentation of the public lies and misleading statements that marked his first year.
Steve Lambert (MFA 2006) and the C4AA (Center for Artistic Activism) went to Guinea, West Africa in November to train artists on how they can use their practice to fight corruption in the region. They worked with actors, comics, visual artists, poets, from Guinea, Nigeria, Burkina Faso, Senegal, and other neighboring countries.
Curated by Margaret Mathews-Berenson and Allison Peller, “Molding / Mark-Making” features ceramic artists Ann Agee, Lynda Benglis, Kathy Butterly, Nicole Cherubini, Elisa D’Arrigo, Peter Gourfain, Joanne Greenbaum, Valerie Hegarty, Stephanie Imbeau, Kristen Jensen, Julia Kunin, Alice Mackler, Annabeth Rosen, Arlene Shechet, Peter Shire, and Betty Woodman.
Work by current undergraduate student Aida Lizalde and MFA alumnus Jamie Angello (MFA 2015) is featured in a new exhibition, “Current Bodies,” at Sacramento’s Axis Gallery. The show runs Jan. 13 through Feb. 25. Also featured in “Current Bodies” is Omar Thor Arason who previously managed the Art Studio Woodshop.
This exhibit brings together four discrete avenues of artistic inquiry to create an exciting and unexpected interplay between disciplines.
Vincent Pacheco (MFA 2017) has been awarded a residency at The Studios at MASS MoCA. Congratulations Vinny!
Vincent’s residency runs from January 3-16, 2018 at the Mass MoCA campus in North Adams, Massachusetts. Since October 2015, The Studios at MASS MoCA have hosted over 300 artists and writers-in-residence for self-directed 1-8 week residencies.
Find more information on the residency at MASS MoCA here.
Kevin Frances (BA 2010) is participating in two group shows in New York.
“Mokuhanga: Impressions Past and Present” runs from January 3 to March 9, 2018 at the Crowell and West Galleries in the Union College Visual Arts Department in Schenectady, New York. “Mokuhanga” is curated by Sandy Wilmer and Sheri Lullo.
Audre Lorde, self-described as “black, lesbian, mother, warrior, poet,” defined the term Biomythography, in her seminal piece Zami: A New Spelling of My Name as “combining elements of history, biography and myth”. The exhibition “Biomythography: Currency Exchange” is the third in a series of exhibitions curated by Chris Christion and Jessica Wimbley (MFA 2005) that seek to investigate biomythography as an interdisclinary visual arts practice.
We have an update on the dedicated bench for Gilbert Menke:
A big thank you to each of you for the generous donations to the dedicated bench in memory of Gilbert Menke. It’s so very heart warming to see how many friends Gilbert had in the Davis community and beyond. We all miss him. Things are not usually speedy at UCD but once the bench is installed there will be a gathering to view, sit, and reminisce.
Cornelia Schulz continues to present a vibrant vigor unique to artists of any age. For over 46 years she has honed her skills in small format paintings of complex shape and color. Studying sculpture at Los Angeles County Art Institute in the 1950’s, Schulz learned 3-D modeling techniques in steel and wood which proved important in subsequent years. Her altered rectilinear shapes are hand built wood supports, stretched with canvas. Using a knife, Schulz slices and swirls paint into a complex brew of color, gestural oppositions and hair raising improbabilities.
“Listening In…,” a new 3-channel synchronized media installation will be part of Silence Pressure Noise, guest curated by Vicky Moufawad-Paul at the McIntosh Gallery of Western University in London, Canada from the November 10, 2017 to January 13, 2018.
A three screen edition from “ARK 3: Crossover,” a collaborative installation with Torsten Zenas Burns, is included in the exhibition Model of the World at the Zhangzhou Art Museum in China from September 29th through November 15, 2017.
Robin Hill and Glenda Drew will participate in a panel discussion entitled “Art + California: Proximity, Place, and the Public Research University” at the Alliance for the Arts in Research Universities Conference November 1-4, 2017 at Northeastern University in Boston.
Shiva Ahmadi, associate professor of art, is included in the exhibition “Sanctuary” Oct. 7 – March 11 at Fort Mason Chapel in San Francisco. For the exhibition, the FOR-SITE Foundation invited 36 artists from 21 countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
“Over the years, Alfred Hitchcock’s film Vertigo (1958) has left many artists obsessed, from Chris Marker, who dedicated an entire segment of his Sans Soleil (1983) to the thriller, to Douglas Gordon, whose video Feature Film (1999) reuses Bernard Herrmann’s score.
Contraption: Rediscovering California Jewish Artists is a group show that presents the work of sixteen California-identified artists of Jewish descent—both historical and living—whose work refers to the machine either literally or metaphorically. Some of the artists are rarely seen now. Among the living artists, there will be large-scale mechanical installations by Bernie Lubell and Sheri Simons, as well as ceramics, drawings, sculpture and paintings by Ned Kahn, Bella Feldman, Howard Fried, and Annabeth Rosen.
The Dorothy Saxe Invitational is the Contemporary Jewish Museum’s longest-running commitment; endowed in Dorothy’s name by her late husband George Saxe, the Invitational asks artists to make work that relates to selected Jewish ritual objects. For 2017, the eleventh iteration of the series, we have for only the second time commissioned works inspired by a Jewish idea, that of the Sabbath.
Young Suh and Elisabeth Higgins O’Connor (MFA 2005) are two of sixteen contemporary artists commissioned to produce work for the Contemporary Jewish Museum’s exhibition ”Jewish Folktales Retold: Artist as Maggid.”
Hearne Pardee and Gina Werfel, professors of art, have given a distinctive look to the UC Davis Alumni Wine Program. In celebration of reaching 250,000 living alumni, the program collaborated with Ceja Vineyards, Heringer Estate Vineyards and the Robert Mondavi Institute at UC Davis on a special collection for alumni. The wine bottles feature art by Pardee and Werfel.
Congratulations to Jodi Connelly for receiving the UC Davis’ Drake Award!
This is a nine-month fellowship open to continuing students studying Art Studio, Environmental Design, Human Nutrition, and Aeronautical Engineering. Jodi is one of two recipients of this annual award.
The Contemporary Arts Museum Houston will showcase the first major survey of Annabeth Rosen’s work. In “Annabeth Rosen: Fired, Broken, Gathered, Heaped” more than two decades of her practice will be exhibited. The exhibition will feature the arc of Rosen’s ceramic sculptures as well as drawings that mirror the trajectory of these works.
The UC Davis Department of Art and Art History’s Art Studio Visiting Artist Lecture series brings artists, writers and curators to campus. All presentations are free and take place at 4:30 p.m. at the Jan Shrem and Maria Manetti Shrem Museum of Art.