Thomas Christensen’s scholarly research centers on the history of music theory. Fundamental to his work has been a desire to situate the many intellectual frames, arguments and linguistic models used by writers in the early modern period deeply within cultural discourses. Hence, as one example, Christensen’s 1993 monograph on Jean-Philippe Rameau attempts to analyze his music theory as a complex response to both the empirical as well as synthetic values of Enlightenment science.
Nathan Hesselink’s research broadly encompasses the topic of rhythmic play and social meaning, firstly in South Korean traditional percussion genres and more recently in British rock music. He received his PhD in ethnomusicology from the University of London, SOAS, and was a postdoctoral research fellow in Korean studies at the University of California, Berkeley. In addition to visiting posts at the University of Chicago and the Academy of Korean Studies, in 2012 he was Trinity Term Visiting Research Associate, St. John’s College, University of Oxford.
Acclaimed musicologist and pianist Valentina Sandu-Dediu was born on November 27, 1966, in Bucharest. She is presently a professor at the Department of Musicology and Education at the National University of Music Bucharest (NUMB), and has been a Permanent Fellow at the New Europe College, Bucharest, since 2010.