Symphony

Overview

UC Davis Symphony Orchestra

Course Information

  • MUS 141
  • Meets Tuesdays and Thursdays, 7:10–9:00 pm at the Mondavi Center 
  • 2 units
  • offered Fall, Winter, and Spring

The CRN number to register for MUS 141 will be given to all applicants admitted into the UC Davis Symphony Orchestra AFTER the auditions are completed.

Audition Requirements, Fall Quarter 2026

General Auditions

  1. Two contrasting pieces (one fast, one slow). Ideally one of these should be an orchestral excerpt 
  2. Expect some sight-reading

Audition for Principal Positions

  1. One piece (concerto movement or equivalent) plus two contrasting orchestral excerpts
  2. Sight-reading

Expect to play about 1–2 pages of your prepared pieces; you may be stopped in audition due to time constraints.

Schedule an Appointment

10-minute appointment slots are available Monday, Sept. 21,

  • from 10 a.m. – 2 p.m.,
  • and 2:30 p.m. – 6 p.m.
  • in Room 1148 (“Strings Studio”), Pitzer Center.

 

 

 

 

Check out these resources for the specific excerpts

Suggested Excerpts

You may choose your own excerpts. Here are some ideas to get you started:

Violin
  • Mozart, Symphony No. 39, 4th mov. Beginning.
  • Beethoven, Symphony No. 3, Scherzo
  • Brahms, Symphony No. 3, 1st movement. Beginning
  • Brahms, Symphony No. 2, 2nd movement, bars 51–55
Viola
  • Beethoven 5, 2nd mov.
  • Mozart, Haffner
  • Brahms, 2
Cello
  • Mozart, Haffner, mov.4
  • Mendelssohn, Midsummer Night’s Dream, Scherzo
  • Elgar- Enigma Variations
  • Brahms- Symphony no.4
Double Bass
  • Mozart, Symphony no.35, 4th mov
  • Mozart, Symphony no.40
  • Tchaikovsky, Symphony no. 5
  • Wagner, Meistersinger Overture
Flute
  • Beethoven, Leonore (second excerpt)
  • Mendelssohn, Midsummer
  • Brahms 4
  • Ravel, Daphnis
  • Debussy, Afternoon of a Faun
Oboe
  • Dvorak 9
  • Debussy, La Mer
  • Rimsky-Korsakov: Scheherazade

 

Clarinet
  • Puccini, Tosca
  • Mendelssohn- Midsummer Night’s Dream
  • Sibelius, Symphony no.1
  • Rimsky-Korsakov- Capriccio Espagnol

 

Bassoon
  • Mozart- Haffner
  • Mendelssohn- Scottish Symphony
  • Tchaikovsky 6
  • Ravel- Rhapsodie Espagnole
Horn

https://www.hornsociety.org/horn-excerpts

A:

  • Borodin Prince Igor Overture solo
  • Brahms Symphony no.1 – slow movement solo
  • Schubert Symphony no.9 – opening
  • Dvorak Cello Concerto – first movement solo
  • Firebird solo
  • Midsummer Night’s Dream Nocturne (in original key of E)

 

B.

  • Beethoven 6 scherzo solo
  • Beethoven Eroica Scherzo (trio) horn 1 or 2
  • Schumann- Rhenish 
Trumpet
Trombone
  • Frank Symphony in D minor
  • Brahms 1
  • Tchaikovsky 5
  • Wagner- Tannhauser
Tuba
  • Rimsky-Korsakov: Scheherazade
  • Tchaikovsky 6
Percussion
Piano

 

Fall Concert: November 22 • 7 p.m.

Information here is for audition context and is not yet set up on the Mondavi Center website.

Program

Jessie Montgomery: Hymn for Everyone (2021)

Alma (Schindler) Mahler: Five Songs, arr. David and Colin Matthews

Dimitri Shostakovich: Symphony No. 11 in G Minor (“The Year 1905”)

About the Composers

Jessie Montgomery is a Grammy Award-winning composer, violinist, and educator whose music weaves together classical traditions, vernacular styles, improvisation, and poetry. She recently completed a three-year term as the Chicago Symphony’s Mead Composer in Residence and is currently a doctoral candidate at Princeton. She was named Performance Today’s 2025 Classical Woman of the Year. 

Alma Mahler (1879–1964) was a Viennese composer and pianist whose own creative work was cut short early in her marriage, when Gustav Mahler pressed her to give up composing. The small number of songs she completed, mostly written before that marriage, are prized for their intensity and late-Romantic lyricism. She later became a central figure in Vienna’s fin-de-siècle artistic circles.

Dmitri Shostakovich (1906–1975) was among the most significant composers of the Soviet era, alternately celebrated and denounced by the state throughout his career. Best known for his symphonies, string quartets, and film scores, he wrote Symphony No. 11, “The Year 1905,” as a programmatic memorial to the Bloody Sunday massacre — one of his most overtly historical and political works.