Empyrean Ensemble: “Spectral Music”
Recital Hall, Ann E. Pitzer Center
There will be a pre-concert talk at 6:15 pm with selected composers and Mika Pelo, Empyrean’s director as well as a faculty composer.
Grisey: Anubis-Nous
Michael Hernandez, solo bass saxophone
Debussy: Cloches à travers les
feuilles
Michael Seth Orland, solo piano
Murail: Feuilles à travers les
cloches
Joanna Martin, flute | Hrabba Atladottir, violin
| Michael Graham, cello
Michael Seth Orland, piano
Grisey: Stele for Two Bass
Drums
Chris Froh
Vivier: Paramaribo
Joanna Martin, flute | Hrabba Atladottir, violin
| Michael Graham, cello
Michael Seth Orland, piano
Bolaños: Tessellations
Joanna Martin, flute | Hrabba Atladottir, violin
| Michael Graham, cello
Michael Seth Orland, piano
Spectral music—by composers that include Tristan Murial, Peter Eötvös, and others—heavily involves computer-aided manipulation and mathematical generation of music. Spectralism developed in the 1970s, in large part because of the Institute for Research and Coordination of Acoustic Music (IRCAM) in Paris, the Ensemble L’Itinéraire.