Pecola Breedlove, a young black girl, wants nothing more than to
be loved. Confronting turmoil at home, she prays for Shirley
Temple’s blue eyes, believing their beauty is the only thing
standing between her and the happiness of the white girls at
school. This powerful adaptation of Toni Morrison’s debut novel
explores the destructive power of racism and the strength of a
community attempting to embrace an era of change.
The UC Davis Department of Theatre and Dance presents this
blistering contemporary drama in the Main Theatre, Wright Hall,
May 17-19, 2018 at 7 p.m. with a 2 p.m. matinee on
May 19. General audience tickets are $18.50, faculty/staff
tickets are $17 and students/seniors tickets are $12.
Contains adult themes and situations, recommended for ages 16 and
up.
Post-Show Talk-Backs
May 17: Dr. Maxine Craig, Professor & Chair of
Gender, Sexuality & Women’s Studies.
May 18: Debra DeAngelo,
journalist/columnist/blogger and equality activist.
Director Margaret Laurena Kemp said, “this
show will come to life on stage by melding of
the work of an African American writer and an application of
South African puppetry. Janni Younge, best known
for her ground-breaking puppetry work, will co-direct the
production. These approaches will underscore the myth
and magical realism that is ingrained in the narrative as a
path to unpacking the themes of race, class and gender
that are the core of this work.”
“Diamond gives Morrison’s characters enough psychological
definition for us to becomes absorbed in who they are and what
happens to them; they’re all allowed to speak independently of
the author.” – The Washington Post
Lydia R. Diamond is an award-winning playwright whose work
includes: Smart People, Stick Fly, Voyeurs de Venus, The
Bluest Eye, The Gift Horse, Harriet Jacobs, The Inside and
Stage Black. Her work has been produced on Broadway and
numerous regional theatres including Arena Stage, Goodman
Theatre, Hartford Stage and McCarter Theatre. Commissions
include: Arena Stage, Steppenwolf, McCarter, Huntington, Center
Stage, Victory Gardens and The Roundabout. Diamond’s honor
include W.E.B. Du Bois Institute non-resident Fellow, a TCG/NEA
Playwright in Residence at Steppenwolf, a Huntington Playwright
Fellow, a Sundance Institute Playwright Lab Creative Advisor and
Radcliffe Institute Fellow. Lydia is an NU graduate and holds an
Honorary Doctorate of Arts from Pine Manor College.
Toni Morrison is a Nobel Prize and Pulitzer Prize-winning
novelist, editor and professor. Her novels are known for their
epic themes, exquisite language and richly detailed
African-American characters who are central to their narratives.
Among her best-known novels are The Bluest
Eye, Sula, Song of Solomon,Beloved, Jazz, Love and A
Mercy. Morrison has earned a plethora of book-world
accolades and honorary degrees, also receiving the
Presidential Medal of Freedom in 2012.
Doctoral, graduate and undergraduate students from theatre and
dance, design, cinema and digital media, art studio as well as
from a diverse range of academic majors campus wide have come
together under the guidance of Margaret Laurena Kemp, associate
professor of theatre and dance, and Janni Younge, international
puppet designer and director, to present an innovative stage
dramatization of Toni Morrison’s novel, “The Bluest Eye.” Running
May 17-19 in Wright Hall’s Main Theatre, here is an overview of
the process behind this monumental production.
M.F.A. Classical Theatre, The George Washington University at The Shakespeare TheatreB.S. Interdepartmental Studies, School of Speech, Northwestern University
Margaret Laurena Kemp has appeared on regional
and international stages including Arena Stage, Mark Taper Forum,
Yale Rep, South Coast Repertory, La Mama Theatre (Melbourne,
Australia), Theatre of Changes (Athens, Greece), Red Pear Theatre
(Antibes, France), and The Magnet Theatre (Cape Town, South
Africa).
Janni Younge is a
director and producer of multimedia, theatrical and visual
performance works, with an emphasis on puppetry arts. Janni’s
work has been performed widely internationally in North and South
America, Africa, Europe, India and the East. Recognition awards
include the Standard Bank Young Artist Award for Theatre, several
Fleur du Cap awards for puppet design and the Nagroda award for
direction.