Selected Film Publications
The Collapse of the Conventional: German Film and its Politics at the Turn of the Twenty-first Century, co-editor with Brad Prager (Wayne State Press, Series: Contemporary Approaches to Film and Television, 2010).
“German Historical Film as Production Trend: European Heritage Cinema and Melodrama in The Lives of Others” in The Collapse of the Conventional: German Film and its Politics at the Turn of the Twenty-First Century, ed. Jaimey Fisher and Brad Prager (Wayne State University Press, 2010).
Disciplining Germany: Youth, Reeducation, and Reconstruction after the Second World War (Wayne State, 2007).
“Home-Movies, Film-Diaries, And Mass Bodies: Péter Forgács’s Free Fall (1996) Into The Holocaust,” in Visualizing the Holocaust: Documents, Aesthetics, and Memory, ed. David Bathrick, Brad Prager, Michael Richardson (Camden House, 2008).
“On the Ruins of Masculinity: The Figure of the Child in Italian Neorealism and the German Rubble-Film,” in Radical Fantasy: Italian Neorealism’s Afterlife in Global Cinema (2006).
“Wandering In/to the Rubble-Film: Filmic Flânerie and The Exploded Panorama after 1945,” The German Quarterly 78.4 (Autumn 2005).
“Globalisierungsbewältigung: Global Flows and Local Loyalties in Contemporary German Cinema,” special issue on “Globalization and the Image,” Genre XXXVI/3-4 (Fall/Winter 2003): 405-28.
See more of Prof. Fisher’s publications on his profile at the UC Davis German Department website.