Publication

Selected Film Publications

The Collapse of the Conventional: German Film and its Politics at the Turn of the Twenty-first Century, co-editor with Brad Prager (Wayne State Press, Series: Contemporary Approaches to Film and Television, 2010).

“German Historical Film as Production Trend: European Heritage Cinema and Melodrama in The Lives of Others” in The Collapse of the Conventional: German Film and its Politics at the Turn of the Twenty-First Century, ed. Jaimey Fisher and Brad Prager (Wayne State University Press, 2010).

Disciplining Germany: Youth, Reeducation, and Reconstruction after the Second World War (Wayne State, 2007).

“Home-Movies, Film-Diaries, And Mass Bodies: Péter Forgács’s Free Fall (1996) Into The Holocaust,” in Visualizing the Holocaust: Documents, Aesthetics, and Memory, ed. David Bathrick, Brad Prager, Michael Richardson (Camden House, 2008).

“On the Ruins of Masculinity: The Figure of the Child in Italian Neorealism and the German Rubble-Film,” in Radical Fantasy: Italian Neorealism’s Afterlife in Global Cinema (2006).

“Wandering In/to the Rubble-Film: Filmic Flânerie and The Exploded Panorama after 1945,” The German Quarterly 78.4 (Autumn 2005).

“Globalisierungsbewältigung: Global Flows and Local Loyalties in Contemporary German Cinema,” special issue on “Globalization and the Image,” Genre XXXVI/3-4 (Fall/Winter 2003): 405-28.

See more of Prof. Fisher’s publications on his profile at the UC Davis German Department website.

View all UCD Arts departments and programs

Entity

Art
History

Entity

Art
Studio

Entity

Cinema and Digital Media

Entity

Design

Entity

Music

Entity

Theatre
and Dance

Entity

Performance Studies

Entity

Mondavi
Center

Entity

ARTS ADMINISTRATIVE GROUP

Entity

Home:
UC Davis Arts

Commands