Articles and Essays
“Enchanted Lives, Enchanted Objects: How Art Empowered American Women Collectors,” Histoire de l’art du XIX siècle (1848-1914), Bilans et Perspectives (Paris: Musée d’Orsay, 2012), 143-54.
“Art Collecting as Play: Lady Charlotte Schreiber (1812-1895),” Visual Resources 27:1 (March 2011), 18-31.
“Introduction,” Special Edition, “The Women Collector,” Women’s Studies Journal, 39:6 (September 2010), 514-17.
“Catharine Lorillard Wolfe: Art Matronage in the Gilded Age and Beyond,” Fine Art Connoisseur, 6:2 (April 2009), 44-49.
“Women as Patrons and Collectors 1900-1940, Oxford Art Online (2009).
“A Prodigious Two-Year Spending Spree: Thomas Holloway and the Victorian Art Market,” in Mary Cowling, Paintings from the Reign of Victoria: The Royal Holloway Collection, London, (Alexandria, Virginia, Art Services International: 2008), 7-15.
“Introduction: Women’s Artistic Passages,” Intrepid Women: Victorian Artists Travel, ed. Jordana Pomeroy (Ashgate Press, 2006), 1-9.
“The Politics of Vision: Disney, Aladdin, and the Gulf War,” The Emperor’s New Groove: The Disneyfication of our Children, ed. Brenda Ayres (Peter Lang:2003), pp. 253-74.
“Eliza Bowen Jumel and the Politics of Cultural Space in Early America,” Journal of the History of Collections, vol. 13:1 (2001), pp. 57-75.
“Homosociality and Middle-Class Identity in Early-Victorian Patronage of the Arts,” in Gender, Civic Culture and Consumerism: Middle-Class Identity in Britain 1800-1940, ed. Alan Kidd and David Nicholls (Manchester University Press: 1999), pp. 65-80.
“Orientalism Transposed: The ‘Easternization’ of Britain and Interventions to Colonial Discourse,” Editors’ Introduction, Orientalism Transposed: The Impact of the Colonies on British Culture, ed. Julie F. Codell and Dianne Sachko Macleod (Ashgate Press: 1998), pp. 1-10.
“Cross-Cultural Cross-Dressing: Class, Gender and Modernist Sexual Identity,” in Orientalism Transposed: The Impact of the Colonies on British Culture, ed. Julie F. Codell and Dianne Sachko Macleod (Ashgate Press: 1998), pp. 63-85.
“Pre-Raphaelite Women Collectors and the Female Gaze,” Journal of Pre-Raphaelite Studies, n.s. vol. 5 (Spring 1996), pp. 42-52. Reprinted in Collecting the Pre-Raphaelites: The Anglo-American Enchantment, ed. Margaretta Frederick Watson (Ashgate Press: 1997), pp. 109-20.
“The ‘Identity’ of Pre-Raphaelite Patrons,” in Reframing the Pre-Raphaelites, ed. Ellen Harding (Scolar Press: 1996), pp. 7-26.
“The New Centurions: Alma-Tadema’s International Patrons,” in Sir Lawrence Alma-Tadema (Amsterdam and Liverpool, Van Gogh Museum and Walker Art Gallery, Rizzoli: 1996), pp. 91-98, 274-76.