Wayang Kulit (Shadow Play)
Vanderhoef Studio Theatre, Mondavi Center
Midiyanto, dhalang (puppet master), and members of UC Berkeley Gamelan Sari Raras, Midiyanto and Benjamin Brinner, directors.
Javanese Shadow Puppets and Music Bring Another World to Life
Wayang Kulit (shadow play) is a complex art form that has been central to Javanese cultural life for centuries, changing with the times, and continuing to enjoy great popularity today. A performance usually lasts from evening until close to dawn, without a break, and draws an audience of all ages and social groups. Drama, philosophy, comedy, music, and dance (translated to puppet movement) are integrated into a performance that encapsulates what many consider to be the essence of Javanese culture.
The dhalang (puppet master) must master diverse arts in order to create or recreate a story that incorporates humor and action, as well as current issues, philosophical teachings, and elements of Javanese myth, legend, and history. He narrates, provides distinctive voices for each of the characters, manipulates the puppets, sings, and directs the gamelan. A dhalang may also be known as a spiritual leader or practitioner and is often a highly respected member of society. A popular dhalang may perform 20 times or more in a month during the main performance season, which lasts from June to August.
—Ben Brinner