A Symposium in Honor of Christopher Reynolds
Distinguished Professor of Music, UC Davis

9:00 am Introduction
Anna Maria Busse Berger (UC Davis)

9:15–10:45 am Session I [Chair: Pierpaolo Polzonetti]
Jessie Ann Owens (UC Davis): “Why Did Lasso Choose Cipriano’s Madrigal for His Missa Qual donna attende?”

Mark Evan Bonds (UNC Chapel Hill): ”Modeling the Self: The Fantasia as Self-Revelation”

11:15 am –12:45 pm Session II [Chair: Henry Spiller]
Karol Berger (Stanford): “Mahler’s Tristan”

Elaine Sisman (Columbia): “Cavatinas and Quotations in Haydn’s Seasons”

2:00–3:15 pm Session III [Chair: Beth Levy]
Stephen Hinton (Stanford): “Weill’s Motives for Allusion”

Raymond Knapp (UCLA): “Saving Mr. [blank]: Rescuing the Father through Song in Children’s and Family Musicals”

3:15–5:15 pm Session IV [Chair: Juan Diego Díaz]
David Brodbeck (UC Irvine): “‘You Don’t Just Stick It Together’; or, Things McCartney Pinched from Wilson”

W. Anthony Sheppard (Williams College): “Allusive Play in the Operas of Adams, Andriessen, and Adès”

5:45–6:15 pm CONCERT

Short Compositions by—

Sam Nichols
Pablo Ortiz
Mika Pelo
Kurt Rohde
Laurie San Martin

Featuring Lucy Fitz Gibbon, soprano,
and Sakurako Kanemitsu, piano

Free